Cantasi come - M164-7

O passi sparsi, o pensier vaghi et pronti-a Son

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Petrarch

Language:

it-mad

Composer:

S. Festa/
F. de Layolle

Lauda:

O fresca rosa, o martir Caterina
Son?:11 (abba cdecde)

Lauda Poet:

suor Caterina Mar[telli?]

Notes:

note: HaarCM, 69-70, 96, 110. Festa a4 version in 1526/6, ed. PrizerLP, no.4; HaarCM, 229-34 (see also 245-6 for link to anon. setting of ‘Dite di non’). Setting a5 by F. de Layolle, Venticinque canzoni (Moderne,1540), ed. D’AcconeMFR, iii, 16-18. Cf. lauda in R196 ‘O alma, che diverse cose e tante’ w/ same rhyme scheme. There is also a strambotto by Serafino d’Aquila with the same incipit as the cc. (preserved in BML, Antinori 158, but with no extant music), but the Petrarchan settings remain the likely source for the cc. link. There are later settings of this text by Portinaro (1560), and A. Gabrieli (1587). For evidence of another possible setting of a strambotto with this incipit, see PrizerWC, 409-10; the text is preserved in BML, Antinori 158, and was reportedly brought from Rome to Florence by a Maria, ‘woman of Bianchino da Pisa’ by ca. 1505-8.

Music Sources:

Cantasi Come Sources:

R2988

Son io donna qual mostri ogni tuo bene-a BaMz (XyY ABABBcY)

admin — Wed, 28 Jan 2015 20:56:45 +0000

Poet:

Lorenzo Strozzi

Language:

it-mad

Composer:

Bernardo Pisano

Lauda:

Chi ti condusse Jesù a tanto strazio BaMz (XyY ABABBcY)

Notes:

note: there are three settings (all 4-part) by Pisano, ed. D’AcconeMFR, i, nos. 15 (M164-7, PetG), 16 (M164-7,Bas2440, Q21, PetG), and 29 (Bas2440); text (a dialogue in ballata form) ed. xvi. There are also anonymous settings in Paris, Bibliothèque Nationale, Res. Mus. Vmd 32, and for 3 parts in Bas2440. See Fenlon/HaarIM, 139, 158, 175, 185.

Music Sources:

Cantasi Come Sources:

M365

Son io donna qual mostri ogni tuo bene-b BaMz (XyY ABABBcY)

admin — Wed, 28 Jan 2015 20:56:45 +0000

Poet:

Lorenzo Strozzi

Language:

it-mad

Composer:

Bernardo Pisano

Lauda:

Son io Jesù a ravvedermi a tempo
9 (ABCDCDDeE)

Music Sources:

Cantasi Come Sources:

M365

Che deggio far’ amor che mi consigli? Cz (AbCAbCcDdEE)

admin — Wed, 28 Jan 2015 20:56:33 +0000

Poet:

Petrarch

Language:

it-mad

Composer:

Bernardo Pisano

Lauda:

Che deggio far’ amor che mi consigli CapQ (AbbA CddC..)

Notes:

note: Fenlon/HaarIM, 159 (concordant sources of Pisano’s setting). Petrarch’s inicipt is ‘Che debb’io far, che mi consigli, Amore?’. Music ed. in D’AcconeMFR, i, no.17 (M164-7). For other settings of poems with identical incipits (including one by Tromboncino in PetF/vii), see Lincoln, 839; and Fenlon/Haar, 142 (anon.), 176 (Tromboncino), and 189 (anon.).

Music Sources:

M164-7

Bas2440

PetG

Cantasi Come Sources:

LA766

RC395

Perchè al viso d’amor Mad:11 (aba cbc dede)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Poet:

Petrarch

Language:

it-mad

Composer:

S. Festa/
J. Arcadelt, et al.

Lauda:

Già dell’ amor di Dio portavo
Mad:11 (aba cbc dede)

Notes:

note: CattinNR, 267; RubsamenLS, 35; HaarCM, 70, 96. Music ed. RubsamenLS, 66-8; SeayJA, vii, no. 6. Lincoln, 870-1 lists 5 settings in 16thc. prints attributed to: Arcadelt (1540/18, 1549/32), Lupacchino, Monte, Palestrina, & Spalenza, but Festa’s earlier setting in a Florentine source (M164-7; found also in Q21 & 1521/6) is the most likely cc. candidate.

Music Sources:

Cantasi Come Sources:

M365

O passi sparsi, o pensier vaghi et pronti-b Son

admin — Wed, 28 Jan 2015 20:56:29 +0000

Poet:

Petrarch

Language:

it-mad

Composer:

S. Festa/
F. de Layolle

Lauda:

O terra, o aqua, o herbe, o fiori

Music Sources:

Cantasi Come Sources:

M365

O vaghe montanine e pastorelle-a BaMn:11

admin — Wed, 28 Jan 2015 20:56:28 +0000

Poet:

Franco Sacchetti

Language:

Lauda:

Chi fugge ‘l mondo, la gloria
BaMn:11

Notes:

note: See OsthoffT, i, 44-9, passim; GallicoRM, 114, 137; Carboni-ZiinoLM, 279; CattinNR, 255, 268. Text attr. to Poliziano in some soureces. Incipit in Florentine sources is ‘Vaghe le montanine’. Text ed. AgenoFS, 159-60. Printed also in 1526/5 as ‘O vage montanine’; this version ed. OsthoffT, ii, 38 (partial), 39 (w/lauda text ‘O vaghe di Jesù’, performed as part of the Rappresentazione di Santa Margherita), & in C. Morin, La frottola e l’armonia verticale nel Quattrocento, «Quadrivium», XV/1 (1974), pp. 158-9 . Ve melody ed. JeppesenF, iii, 103.

Music Sources:

M164-7

Bas2440

1526/5

Cantasi Come Sources:

M365