Cantasi come - Bas2495

Il bianco e dolce cigno-b Mad (abBcddeDFF)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Alfonso d’Avalos orGuidiccioni

Language:

it-mad

Composer:

Jacob Arcadelt

Lauda:

Il bianco e dolce collo di Caterina

Notes:

note: MaceyFS, 356.

Music Sources:

Bas2495

M99-102

1539/22

Cantasi Come Sources:

Rz1609

Quando madonna io vengo-b Str:11

admin — Wed, 28 Jan 2015 20:56:45 +0000

Poet:

P. Sasso

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Vergin dal mondo per divin consiglio Str:11

Notes:

note: MaceyFS, app. 3, lists another, apparently sacred, madrigal title associated with Verdelot and the above two texts, ‘Quando Maria io vengo a contemplarti.’

Music Sources:

Bas2495

1537/11

Cantasi Come Sources:

M365

D’amore le generose, e alte imprese Str:11

admin — Wed, 28 Jan 2015 20:56:45 +0000

Language:

it-mad

Composer:

Costanzo Festa

Lauda:

Maria per quel Signor ch’in te discese Str:11

Notes:

note: music ed. SeayCF, viii, no. 5.

Music Sources:

Bas2495

1537/10

Cantasi Come Sources:

M365

Quando madonna io vengo-a Str:11

admin — Wed, 28 Jan 2015 20:56:29 +0000

Poet:

P. Sasso

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Chi sarà mai s’ingrato peccatore
Str:11

Notes:

note: Lincoln, 692; H Colin Slim, ‘An Iconographical Echo of the Unwritten Tradition in a Verdelot Madrigal,’ «Studi Musicali», XVII (1988), 3-54; Verdelot’s madrigal is discussed throughout the article, and ed. on 52-4, as well as in OwensSM, xxx, 22-25.

Music Sources:

Bas2495

1537/11

Cantasi Come Sources:

M365

Dai dolci camp’Elisi Mad (ABBbCDdCCEE)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Language:

it-mad

Composer:

Jacob Arcadelt

Lauda:

Deh dolce madre di noi peccatori
Mad (ABBbAccDDEE)

Notes:

note: M365 incipit = ‘Da’ dolci campi Elisei’. Lincoln, 31; EinsteinIM, i, 160, where Einstein prints the text of the madrigal, and assigns the madrigals of Arcadelt’s third book to his years in Florence (c. 1532-7?). See also Fenlon/HaarIM, 151 (concordant sources), and 62, where it is suggested that this madrigal may have been a part of the theatrical music for a performance of Lorenzino de’ Medici’s L’Aridosio at the wedding festivities for Alessandro de’ Medici in 1536. Music ed. SeayJA, iii, no. 17.

Music Sources:

Cantasi Come Sources:

M365

Quella che sospirando [ogn’or] Son

admin — Wed, 28 Jan 2015 20:56:29 +0000

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Vergine madre, e figlia al Signor
Son

Notes:

note: Lincoln, 692; EinsteinIM, i, 248. Music ed. OwensSM, xxx, 43-47.

Music Sources:

Bas2495

M122-5

1530/2

Cantasi Come Sources:

M365

Occhi miei lassi, mentre ch’io vi giro BaG4/10 (XYyX ABCBACCDdX)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Poet:

Petrarch

Language:

it-mad

Composer:

Layolle/
Arcadelt/
Trombon-
cino

Lauda:

Vergine santa pe’ tuoi gran dolori
BaG4/10 (XYyX ABCBACCDdX)

Notes:

note: JeppesenF, ii, 240 lists frottole with incipits ‘Occhi mei lassi poichè’ (Cara; PetF/iv), ‘Occhi mei lassi acompagnate’ (Ioannes Lulinus Venetus; PetF/xi; ed. LuisiFr, no. 59), and Petrarch’s ballata grande ‘Occhi mei lassi mentre [ch’io vi giro]’ (Tromboncino; 1517/3, PetF, 1510, Ve). See CattinNR, 253. Lincoln, 868 lists 9 works in 16thc. prints with this incipit, including settings by the Florentine composer Layolle (‘Occhi miei lassi mentre’), Arcadelt (‘Occhi miei lassi ch’io’), Cara, Tromboncino, and 3 from the later 16thc. Given the strong recourse of M365 to early 16thc. Florentine polyphony (esp. that of Arcadelt and Verdelot), a setting by Layolle or Arcadelt was most likely intended as the cc. Layolle’s setting is ed. in D’AcconeMFR/iv, no. 28; Arcadelt’s in SeayJA, i, no. 36.

Music Sources:

Cantasi Come Sources:

M365

Il bianco e dolce cigno-a Mad (abBcddeDFF)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Poet:

Alfonso d’Avalos or
Guidiccioni

Language:

it-mad

Composer:

Jacob Arcadelt

Lauda:

Del sommo ciel Regina, cantando
Mad (abBcddeEFF)

Notes:

note: Lincoln, 29; EinsteinIM, i, 269-71; Fenlon/HaarIM, 146 (concordant sources); MaceyFS, 357-60 (where he discusses the relationship between madrigal text, lauda text, and music, and edits both texts (369). Music ed. SeayJA, i, no. 18.

Music Sources:

Bas2495

M99-102

1539/22

Cantasi Come Sources:

M365

Divini occhi sereni-b Mad (aAbcBcDD)

admin — Wed, 28 Jan 2015 20:56:28 +0000

Poet:

Pietro Aretino

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Vergine alma serena, d’amor
Mad (aABCbdD)

Music Sources:

Cantasi Come Sources:

M365

Amor io sento l’alma BaMz (xyY abCabCyY)

admin — Wed, 28 Jan 2015 20:56:28 +0000

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Nuova fiamma d’amor raccende
BaMn (XX ABABcC)

Lauda Poet:

Fra Hilario Buoninsegni

Notes:

note: Music of cc. ed. in SlimG, ii, no. 4; text ed. p. 441. There are later settings of this text by J. Gero (1543), V. Ruffo (1553), and A. Molino (1568). The poetic forms of lauda and cc. model are compatible if the three pairs of 7-syllable lines in Machiavelli’s poem are resolved into single endecasyllabic phrases.

Music Sources:

Bas2495

Chic

1534/16

Cantasi Come Sources:

M365