Cantasi come - Chic

Cantasi Come Sources:

Quanto sia lieto il giorno-b Cz (abC abC cDdeE)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Quanto sia lieto in cielo

Music Sources:

Cantasi Come Sources:

Quanto sia lieto il giorno-c Cz (abC abC cDdeE)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Questo dì gloriosi

Music Sources:

Cantasi Come Sources:

Quanto sia lieto il giorno-a Cz (abC abC cDdeE)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Deh venitene angeli

Notes:

note: MaceyFS, 356 notes that Razzi recorded and used the cantus melody of Verdelot’s madrigal for four different laude in his autograph ms., Pal173. For an earlier and probably more complete use of Verdelot’s music, see its link to the lauda ‘Vergin gloriosa madre de’ peccatori.’ In Rz1609, Razzi used the cantus and tenor of Verdelot’s madrigal for two laude: ‘Le Vergin gloriose’ (possibly the same as the preceding text), and, ‘Questo dì glorioso.’

Music Sources:

Cantasi Come Sources:

Quanto sia lieto il giorno-e Cz (abC abC cDdeE)

admin — Wed, 28 Jan 2015 20:56:28 +0000

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Vergin gloriosa madre de’ peccatori 8:7/11 (ABABbCDD)

Lauda Poet:

Alessandro
Guglielmi

Notes:

note: EinsteinIM, i, 250-1; Fenlon/HaarIM, 155 (concordant sources). This madrigal à4 appears in the Prologue of Machiavelli’s La Clizia. The story is set in Florence during the 1506 Carnival season, but the play was written and first performed in 1525; see discussion of the dramatic context in PirrottaMT, 128f, with ed. of music on 131-3. Music ed. SlimG, ii, 341-3.

Music Sources:

Cantasi Come Sources:

M365

R2988

Madonna qual certezza Ba/Mad (aBB cdDCcEEcaBB)

admin — Wed, 28 Jan 2015 20:56:28 +0000

Poet:

Dragonetto Bonifazio

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

O vergine benigna
Ba/Mad (aBB cdDCcEEcaB)

Lauda Poet:

Fra Felix de
Castro

Notes:

note: EinsteinIM, i, 248-9; Fenlon/HaarIM, 156 (concordant sources); Lincoln, 690; HaarCM, 123, 253. Music ed. SlimG, ii, 379-81; EinsteinIM, iii, no. 16 (text ed. xv).

Music Sources:

Cantasi Come Sources:

M365

Amor io sento l’alma BaMz (xyY abCabCyY)

admin — Wed, 28 Jan 2015 20:56:28 +0000

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Nuova fiamma d’amor raccende
BaMn (XX ABABcC)

Lauda Poet:

Fra Hilario Buoninsegni

Notes:

note: Music of cc. ed. in SlimG, ii, no. 4; text ed. p. 441. There are later settings of this text by J. Gero (1543), V. Ruffo (1553), and A. Molino (1568). The poetic forms of lauda and cc. model are compatible if the three pairs of 7-syllable lines in Machiavelli’s poem are resolved into single endecasyllabic phrases.

Music Sources:

Bas2495