Cantasi come - Brus

Ecco che pur’ dopo si lunghi affanni Mad (ABbAcddEdDff)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Language:

it-mad

Composer:

Arcadelt

Lauda:

Alma gradita in ciel virgo decora
Mad:7/11 (ABbaacCCdd)

Lauda Poet:

suor Tomasa Martelli

Notes:

note: music ed. SeayJA, IV, no. 6.

Music Sources:

Brus

1539/23

Cantasi Come Sources:

R2988

Il ciel che rado virtù tanta mostra Mad (ABAcDEE)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Language:

it-mad

Composer:

Arcadelt

Lauda:

Te inclita signora il ciel ammira
Mad (ABCdEFF)

Lauda Poet:

suor Tomasa Martelli

Notes:

note: Fenlon/HaarIM, 151, 166, 243. Music ed. SeayJA, II, no. 19.

Music Sources:

Brus

1539/22

Cantasi Come Sources:

R2988

Deh fuggite mortali-b Mad (aBaBbCdDEe)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Language:

it-mad

Composer:

Jacob Arcadelt

Lauda:

Deh lassate mortali
Mad (aBaBcDcDEe)

Lauda Poet:

Serafino Razzi

Music Sources:

Brus

Cantasi Come Sources:

M365

Dai dolci camp’Elisi Mad (ABBbCDdCCEE)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Language:

it-mad

Composer:

Jacob Arcadelt

Lauda:

Deh dolce madre di noi peccatori
Mad (ABBbAccDDEE)

Notes:

note: M365 incipit = ‘Da’ dolci campi Elisei’. Lincoln, 31; EinsteinIM, i, 160, where Einstein prints the text of the madrigal, and assigns the madrigals of Arcadelt’s third book to his years in Florence (c. 1532-7?). See also Fenlon/HaarIM, 151 (concordant sources), and 62, where it is suggested that this madrigal may have been a part of the theatrical music for a performance of Lorenzino de’ Medici’s L’Aridosio at the wedding festivities for Alessandro de’ Medici in 1536. Music ed. SeayJA, iii, no. 17.

Music Sources:

Cantasi Come Sources:

M365

Lontan dalla mia donna Mad (ABBcCDeeDFF)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Language:

it-mad

Lauda:

Lontan da te Maria vergine santa
Mad (ABBcCDeeDFF)

Notes:

note: MaceyFS, 360-61, where he compares the two texts (ed. on 370); Fenlon/HaarIM, 151. In 1555, Palestrina published a setting of a possibly related text, ‘Lontan della mia diva’.

Music Sources:

Brus

Cantasi Come Sources:

M365

Saria pur tempo ormai Mad

admin — Wed, 28 Jan 2015 20:56:29 +0000

Language:

it-mad

Composer:

C. Festa/
Arcadelt

Lauda:

Donna del ciel pietosa madre
Mad (ABBcDcDdEE)

Notes:

note: Fenlon/HaarIM, 152 for concordant sources, and attrib. to Festa, though it cannot be found among the edited complete works of either composer.

Music Sources:

Brus

M99-102

1539/6

Cantasi Come Sources:

M365

Deh fuggite mortali-a Mad (aBaBbCdDEe)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Language:

it-mad

Composer:

Jacob Arcadelt

Lauda:

Deh fuggite mortali il mondo pria
Mad (aBaBbCdDEe)

Notes:

note: EinsteinIM, i, 274 (cc. text ed.); Fenlon/HaarIM, 151; Lincoln, 32 (madrigal), where the incipit is ‘Deh fuggite o mortali’. Music ed. SeayJA, ii, no. 4.

Music Sources:

Brus

Cantasi Come Sources:

M365

Infra bianche Rugiade MadT:11 (abc abc dd)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Poet:

Luigi Alamanni

Language:

it-mad

Composer:

Francesco de Layolle

Lauda:

O regina del ciel madre Maria
Str:11

Notes:

note: music ed. in D’AcconeMFR, iv, no. 43; text ed. xvi. First published in Venticinque canzoni a cinque voci (Lyons, Moderne c. 1538). The lauda is possible identical with the ‘O Maria del ciel regina’ sung by nuns in Castellano Castellani’s Rapresentazione di Santa Eufrasia; BecheriniSR, 210.

Music Sources:

Brus

M99-102

Cantasi Come Sources:

M365

Occhi miei lassi, mentre ch’io vi giro BaG4/10 (XYyX ABCBACCDdX)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Poet:

Petrarch

Language:

it-mad

Composer:

Layolle/
Arcadelt/
Trombon-
cino

Lauda:

Vergine santa pe’ tuoi gran dolori
BaG4/10 (XYyX ABCBACCDdX)

Notes:

note: JeppesenF, ii, 240 lists frottole with incipits ‘Occhi mei lassi poichè’ (Cara; PetF/iv), ‘Occhi mei lassi acompagnate’ (Ioannes Lulinus Venetus; PetF/xi; ed. LuisiFr, no. 59), and Petrarch’s ballata grande ‘Occhi mei lassi mentre [ch’io vi giro]’ (Tromboncino; 1517/3, PetF, 1510, Ve). See CattinNR, 253. Lincoln, 868 lists 9 works in 16thc. prints with this incipit, including settings by the Florentine composer Layolle (‘Occhi miei lassi mentre’), Arcadelt (‘Occhi miei lassi ch’io’), Cara, Tromboncino, and 3 from the later 16thc. Given the strong recourse of M365 to early 16thc. Florentine polyphony (esp. that of Arcadelt and Verdelot), a setting by Layolle or Arcadelt was most likely intended as the cc. Layolle’s setting is ed. in D’AcconeMFR/iv, no. 28; Arcadelt’s in SeayJA, i, no. 36.

Music Sources:

Cantasi Come Sources:

M365

Madonna oimè ch’io moro Mad

admin — Wed, 28 Jan 2015 20:56:29 +0000

Language:

it-mad

Lauda:

Vergine oimè ch’io moro
Mad (abbaCdeedffGgC)

Notes:

note: cc. possibly modeled on Arcadelt’s ‘Madonna oimè ch’io ardo’; both pieces transmitted in Brus. See Fenlon/HaarIM, 150, where it is suggested that the cc. may be a risposto to Arcadelt’s madrigal.

Music Sources:

Brus

Cantasi Come Sources:

M365