Cantasi come - MC

Vray dieu d’amours confortez--see Canti di ghalea

admin — Wed, 28 Jan 2015 20:56:42 +0000

Language:

Music Sources:

Ver757

Odh +4

Cantasi Come Sources:

De tous biens plaine R4:8 (abba)

admin — Wed, 28 Jan 2015 20:56:38 +0000

Language:

Composer:

Hayne van Ghizeghem

Lauda:

Di tutto ben se’ fonte eterno Iddio
5:7/11 (ABAbX)

Notes:

note: FallowsCat, 129-30; CattinCI, 424-5. Gall4 incipit = ‘Di tuo ben pleni’. Music ed. ThibaultM, 38 (Cord); PopeM, 320 (MC); PerkinsM, ii, no. 32 (Mel); HewittO, 263 (Odh, w/added CtA); JeppesenK, 7 (Cop); and others (see FallowsCat). For lists of later pieces based on Hayne’s song, see CMM74, xxxix-xli; ThibaultM, xcix, & MeconiA, 27. For a recent edition of 28 settings of ‘De tous biens’, see CyrusD.

Music Sources:

Cantasi Come Sources:

O tempo bono e chi me t’à levato StrS:11

admin — Wed, 28 Jan 2015 20:56:37 +0000

Poet:

Francesco
Galeota

Language:

Lauda:

O Jesù buono, come m’hai lassato
Str:11

Notes:

note: FallowsCat, 551; CattinNR, 232. Music ed. in PopeM, 506-7, text and discussion on 658-9 (MC). Acc. to PopeM, 658, cc. possibly related to ‘Tyempo bueno, tyempo bueno’ of Matteo Flecha the elder.

Music Sources:

Cantasi Come Sources:

Quanto più gli occhi mei Str

admin — Wed, 28 Jan 2015 20:56:35 +0000

Language:

Lauda:

Quanto più gli occhi mia versono in pianto-a Str:11

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 557. 3-part setting in MC ed. PopeM, 313, with commentary on 608.

Music Sources:

Cantasi Come Sources:

Amor tu non me gabasti BaG:8 (xyyx ababbccx)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

Lauda:

Vergine madre i’ sono a te venuto
5:11 (ababa cdcdc...)

Notes:

note: FallowsCat, 503; PopeMC, 575-6. Music ed. PopeM, [111], 168 (MC, a4; 4-part version also transmitted in Pix); a3 in Per431 (=MC/Pix minus the CT).

Music Sources:

Per431

Pix

Cantasi Come Sources:

R2896

Cum autem venissem 5:irreg.

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

lat

Composer:

Johannes de Quadris/Sera-fino Razzi

Lauda:

Peccator, pensa al tuo Signore
5/6:5/7/5+5

Lauda Poet:

Francesco d’Albizo

Notes:

note: ‘Latin lauda’, planctus Mariae; processional music for deposition during Holy Week. See PerkinsMAR, 452-6; MaceyB, 53; CattinR, 39, n.59.; CattinNF, 192-3; PopeM, 646-9; Diederichs, 230-7; CattinCI, 432-3. Musical variant in Razzi: ‘Cum autem venissent’, where he indicates that ‘le parole insieme col canto, sono antichissime’. Music of related versions based on same melody ed. PerkinsMAR, 453-6 (Razzi facs., Quadris, PetL/ii); CattinPav, 14 (Pav361); PopeM, no.120 (MC); JeppesenL, 8-9 (PetL/ii, ‘Quum autem’), Diederichs, 412-22 (Panc27, Grey, MC, PetL/ii), Mancuso, 620-4 (Rz1563). Quadris version (ca. mid-15thc.) publ. in Petrucci Lamentationum Jeremiae prophete liber primus (1506), ed. Cattin in Johannes de Quadris, Opere (Bologna, 1972), 71. In Grey, cc. is explicit by addition of lauda incipit ‘Peccator, pensa al tuo signore’, a link that is in turn confirmed by all the Florentine cc. sources; see CattinNF, 192-3. For complete list of musical sources, see PopeM, 646-7, & CattinNF, 192-3. In LA424, lauda sent to ‘Pierino vinitiano’.

Music Sources:

Cantasi Come Sources:

Alle chiave, alle chiavone Ba4/2:8

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

it-carn?

Composer:

anon

Lauda:

Poi che ’l cor mi stringe, e serra-a
BaG:8 (xyyx ababbccx)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 501; PopeM, 657-8; CattinR, no.104 (where he suggests an origin of cc. as a carnival song for locksmiths). Music ed. PopeM, 503 (‘Chiave, chiave’--incipit only). Gall2 & CS1545 textual incipits = ‘Alle schiave, alle schiavone’.

Music Sources:

Cantasi Come Sources:

Puis que je vis le regard gracieux R4:10 (abba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Lauda:

Poi che ‘l tuo cor Maria è graziosa
CapQ?:11 (abba ab abba)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 332; PopeM, 644-6; WilsonSC, 88; CattinR, no.106. Music ed. CMM88, 30 & NanenE, no.31 (EscB), PopeM, 474 (MC), PerkinsM, ii, no.53 (Mel). Form and rhyme scheme of lauda closely modeled on the French rondeau; see CattinCI, 428-9, who suggests (along with PopeM, 646) that the lauda was conceived as a rondeau quatrain. Incipit of Fr. text in lauda sources frequently appears as ‘Plus que...’

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Cantasi Come Sources:

Le serviteur hault guerdonné-c R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

Se poi che vi partisti

Notes:

note: D’AnconaPP, 493 indicates that this lauda is transmitted in the lauda editions of 1510 and 1512 (ie., Gall4 and its Venetian reprint) with this cc. indication, but I have not been able to locate the piece in extant copies of these prints.

Music Sources:

Cantasi Come Sources:

[D’AnconaPP

493]

Le serviteur hault guerdonné-b R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

I’ so’l tuo servitor donna gentile
5:7/11 (AbBCB)

Notes:

note: D’Ancona (1906),435 refers to the version of Dufay’s rondeau transmitted in Pix, where five lines of an Italian poem with a different rhyme scheme and line lengths have been fitted to the five musical phrases of Dufay’s music. The Italian text is ed. in MSD47, no. 92, and appears to be a secular poem, however, and so is anomalous within the cantasi come tradition.

Music Sources:

Cantasi Come Sources:

Pix