Cantasi come - Ven

note: Razzi transmits another lauda by him with similar incipit (‘Venga ogni cor ardente a lodar Maddalena peccatrice’), but different line lengths and its own musical setting a2 (see this title as a modo proprio).

Music Sources:

Pav361

PetL/i

Rz1563

Ven

Rz1563 (a2)

Cantasi Come Sources:

M365

Rz1563

L’amor a me venendo-d BaG:7 (xyyx ababbccx)

admin — Wed, 28 Jan 2015 20:56:29 +0000

Poet:

Bianco da Siena?

Language:

Lauda:

Ecco dolce Signore l’ancilla tua
BaG:7

Lauda Poet:

Serafino Razzi

Notes:

note: laude re. S. Agnesa. Rz1563: ‘lauda d’una Vergine quando si appresenta il giorno del tuo martirio davanti a Christo..’

Music Sources:

Cantasi Come Sources:

M365

Rz1563

Madre che festi colui che ti fece-l Qr:11 (abba cddc...)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

O miser peccatore e ostinato
Qr:11 (abba cddc...)

Music Sources:

Ven

PetL/i

Cantasi Come Sources:

R2896

Madre che festi-zb +rispetti (S) Qr:11 (abba cddc...)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

Vergine santa immaculata e pia-a
10 (AbAbcdcdEE)

Lauda Poet:

Tholosano

Notes:

note: according to BecheriniSR, 201, a lauda with the incipit ‘Vergine santa immacolata e pia’ concludes the Rappresentazione dell’Annunciazione.

Music Sources:

Ven

PetL/i

Cantasi Come Sources:

R1502

Anima benedetta [dell’alto creatore] BaG:7 (xyyx ababbccx)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Leonardo Giustinian?

Language:

Lauda:

Era tutta soletta/Magdalena d’amore BaG:7

Notes:

note: CattinR, 43, no.70; RostirollaB, 680. There is a monodic setting of the lauda in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & a 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-11, with text ed. i, 259-10. Gall3 = ‘Donna esto mio lamento, vinitiana’. The lauda also enjoyed an extended life in early 17thc. lauda prints (Lodi et Canzonette, 1608); see LuisiLG, ii, 147-9. In 1589/2, ‘Anima benedetta’ sung to a3 setting of ‘Jesù nostro riscatto’. The lauda may be modeled on the 14thc. secular ballata ‘Era tutta soletta in un prato d’amore’ (ed. CarducciCBSM, 67-8), which shares the same rhyme scheme of the refrain ‘Anima benedetta’, as well as its BaG:7 form. Cc. text variously attributed to Giustinian, Jacopone da Todi, and Clemente Pandolfini; entered in R2929, which was copied by 1448.

Music Sources:

Ven

Pal472

Anim1563

Cantasi Come Sources:

LA480