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 <title>Cantasi come - Rappresentazione di San Giovanni e Paolo (Florence: F. Buonacorsi</title>
 <link>https://dh.dickinson.edu/opm/taxonomy/term/1746</link>
 <description></description>
 <language>en</language>
<item>
 <title>modo proprio</title>
 <link>https://dh.dickinson.edu/opm/node/5341</link>
 <description>&lt;div class=&quot;field field-name-field-language field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Language:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;it&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-composer field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Composer:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Heinrich Isaac (lost)&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-lauda field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Lauda:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Vieni a me peccatore-b&lt;br /&gt;
     BaG4/6 (xyyX ababbX)&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-lauda-poet field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Lauda Poet:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Lorenzo de’ Medici&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-notes field-type-text-long field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Notes:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;note: BlackburnTCS, 126-7; OsthoffT, i, 73-7, where he discusses the song in its theatrical context, Lorenzo’s Rappresentazione di San Giovanni e Paolo. Francescso Buonacorsi’s Florentine print of ca. 1485-90 is accompanied by the rubric ‘cantasi come Amore io vo fuggendo, e ancora a uno modo proprio composto per Isac’.&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-music-sources field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Music Sources:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/1&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-cantasi-come-sources field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Cantasi Come Sources:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/1746&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Rappresentazione di San Giovanni e Paolo (Florence: F. Buonacorsi&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/4664&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;c.1485-90)&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Wed, 28 Jan 2015 20:56:43 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">5341 at https://dh.dickinson.edu/opm</guid>
 <comments>https://dh.dickinson.edu/opm/node/5341#comments</comments>
</item>
<item>
 <title>Amore io vo fuggendo
     Str:11</title>
 <link>https://dh.dickinson.edu/opm/node/5299</link>
 <description>&lt;div class=&quot;field field-name-field-poet field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Poet:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Serafino Aquilano?&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-language field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Language:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;it-frot&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-lauda field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Lauda:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Vieni a me peccatore-a&lt;br /&gt;
     Ba4/6 (xyyX ababbX)&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-lauda-poet field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Lauda Poet:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Lorenzo de’ Medici&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-notes field-type-text-long field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Notes:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;note: BlackburnTCS, 126-7; La Face/BianconiGS, 184; D’AnconaPP, 476; OsthoffT, i, 73-7, where he discusses the lauda  in its theatrical context, Lorenzo’s Rappresentazione di San Giovanni e Paolo. Francescso Buonacorsi’s Florentine print of ca. 1485-90 is accompanied by the rubric ‘cantasi come Amore io vo fuggendo, e ancora [h]a uno modo proprio composto per Isac’. Thus, both Lorenzo’s lauda and its cc. models must predate 1490. Music  for both versions (&amp;amp; text of ‘Vieni’) ed. in OsthoffT, ii, 138-40 (ModF.9.9; M121). Lauda text ed. ToscaniL, 99-102, and in DucciniL, 202-10, with extensive commentary.&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-music-sources field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Music Sources:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/1589&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;M121 (a3)&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/4656&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;ModF.9.9 (a2&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/1745&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;but bass missing)&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-cantasi-come-sources field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Cantasi Come Sources:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/1746&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Rappresentazione di San Giovanni e Paolo (Florence: F. Buonacorsi&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/4657&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;c.1485-90)&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Wed, 28 Jan 2015 20:56:42 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">5299 at https://dh.dickinson.edu/opm</guid>
 <comments>https://dh.dickinson.edu/opm/node/5299#comments</comments>
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