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 <title>Cantasi come - SM429</title>
 <link>https://dh.dickinson.edu/opm/taxonomy/term/1771</link>
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 <language>en</language>
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 <title>Occhi miei oscurati</title>
 <link>https://dh.dickinson.edu/opm/node/5370</link>
 <description>&lt;div class=&quot;field field-name-field-language field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Language:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;it&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-composer field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Composer:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;G.D. da Nola&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-lauda field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Lauda:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Piangendo i miei peccati i’ m’era assiso     5:7/11 (abbcd)&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-lauda-poet field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Lauda Poet:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Serafino Razzi&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-notes field-type-text-long field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Notes:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;note: MaceyB,141-4, text is edited &amp;amp; translated, and music transcribed, as it is in MaceyS, 102 (both texts).  Razzi’s music derives from Nola’s Neapolitan song, first published in Il primo libro delle villanelle alla napolitana (Venice, 1567), and his text is datable to 1595. On MaceyB, 144, there is a translation of Razzi’s account of how ‘once the author heard the singing of a certain canzonetta for three voices, and this aria seemed to him so pretty and pleased him so much that to make it available to religious persons, he composed for it the preceding lauda of Saint Mary Magdalene...’ Razzi’s lauda differs from a lauda of identical incipit in the much earlier Ch266.&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-music-sources field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Music Sources:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/1770&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;SM429&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-cantasi-come-sources field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Cantasi Come Sources:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/1771&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;SM429&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Wed, 28 Jan 2015 20:56:43 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">5370 at https://dh.dickinson.edu/opm</guid>
 <comments>https://dh.dickinson.edu/opm/node/5370#comments</comments>
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