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 <title>Cantasi come - [RC395]</title>
 <link>https://dh.dickinson.edu/opm/taxonomy/term/1840</link>
 <description></description>
 <language>en</language>
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 <title>Miseremini mei...I’ son proprio la sciagura     BaMn:7/8  (xxX ABABBX)</title>
 <link>https://dh.dickinson.edu/opm/node/5474</link>
 <description>&lt;div class=&quot;field field-name-field-language field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Language:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;it-frot&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-lauda field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Lauda:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Miseremini mei...Io mi trovo-b&lt;br /&gt;
     BaMn:7/8 (xxX ABABBX)&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-lauda-poet field-type-text field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Lauda Poet:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;Castellano Castellani&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-notes field-type-text-long field-label-inline clearfix&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Notes:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;p&gt;note: CattinCC, 199, where ‘Anima ingrata’ (Gall4) is cc. for  Castellani’s ‘Miseremini’, but RC395 indicates that this lauda has its own setting (modo proprio). The music found in 1531/4 is in fact for a secular text (‘Miseremini mei...I’ son proprio la sciagura’) that was surely (as CattinCC, 199 argues) the model for Castellani’s lauda: the refrains are identical in both poems, and the lauda is more formally compatible with the frottola than with the text of ‘Anima ingrata’. The music of the 3-part secular frottola is transcribed in CattinCC, 220-22.&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-music-sources field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Music Sources:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/515&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;1531/4&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-cantasi-come-sources field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Cantasi Come Sources:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/opm/taxonomy/term/1840&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;[RC395]&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Wed, 28 Jan 2015 20:56:45 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">5474 at https://dh.dickinson.edu/opm</guid>
 <comments>https://dh.dickinson.edu/opm/node/5474#comments</comments>
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