Cantasi come - M1163

note: Rs424 = ‘Anzola tu mi fai’. Text of cc. ed. in D’AnconaPP, 93-4. Alternate version in some sources is ‘Angela che mi fai’. RA2435, pp. 112-13, transmits a version of what is probably the original secular text to which the cc. incipit refers: ‘Angiola tu mi fai/cantando, a te, venire/et bellezze ch’ai/non te le posso dire’.

Music Sources:

Cantasi Come Sources:

CorsC33

Do che è quel che dentro a me vampeggia-a

admin — Wed, 28 Jan 2015 20:56:23 +0000

Poet:

Antonio di Migliorino Guidotti

Language:

Composer:

Michelino Forzieri

Lauda:

Avendo cor tutti pien di letizia-a
BaMz (XyX aBaBBcX)

Lauda Poet:

Feo Belcari

Notes:

Note: lauda re. St. Nicholas of Bari. In Ch266, cc. text repeated on 77v w/rubric: ‘la seguente lada fecie antonio de migliorino ghuidotti intonolla di canto michelino di [lacuna] di forzieri ottimo cantatore: Or che e quel che dentro’. Variant incipit for lauda = ‘Avendo tutti il cor’. See also ‘La vampeggia’ as a cc. for 6 laude; this is probably the same title since the laude for both titles share the same form (BaMz) and closely-related rhyme schemes.

Music Sources:

Cantasi Come Sources:

Una donna d’amor fino BaG (xYyX aBaBbCcX)

admin — Wed, 28 Jan 2015 20:56:20 +0000

Language:

Lauda:

Crocifisso a capo chino
BaG (xYyX aBaBbCcX)

Lauda Poet:

Feo Belcari

Notes:

note: Vittore Branca has shown that this cc., often attributed to Lorenzo de’ Medici, is a canzone a ballo that refers to a novella in the Decameron, and that it was already circulating in the late trecento; BrancaP, 403-8. The cc. text is also transmitted in RA2435, pp. 138-40.

Music Sources:

Cantasi Come Sources:

Se non ti guardi amore-a R4:7

admin — Wed, 28 Jan 2015 20:56:20 +0000

Language:

Composer:

Lauda:

Se pensassi l’errore-b
BaG4/6:7 (xyyx ababbx)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 560. BR62 & Rz1563 (w/text ‘Se tu donassi il core’) versions closely related but not identical. Rz1563 text & music ed. Mancuso, 739-42.

Music Sources:

BR62 Rz1563

Cantasi Come Sources:

Insegnatemi Jesù Cristo-a BaG4/6:7 (xyyz ababbz)

admin — Wed, 28 Jan 2015 20:56:07 +0000

Poet:

Jacopone da Todi?

Language:

Lauda:

Jesù che peregrino
BaG4/6:7 (xyyz ababbz)

Lauda Poet:

Feo Belcari

Notes:

note: sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62, & related version in Rz1563 w/text ‘Se tu donassi il core’, and a slightly varied C & T, different CT ). See FallowsCat, 560. Text of cc. transmitted in Ch266, R2929 (which was copied by 1448), and in 14thc. sources like BML, Ashburnham 423, fol. 69v., where it is attributed to Jacopone.

Music Sources:

BR62Rz1563

Cantasi Come Sources:

Giuroti, donna, per la fede mia-d BaMn (XX aBaBBX)

admin — Wed, 28 Jan 2015 20:56:05 +0000

Poet:

Matteo de’ Grifoni

Language:

Lauda:

Quando ti parti, Jesù, vita mia-a
BaMn (XX aBaBBX)

Lauda Poet:

Feo Belcari

Notes:

note: CattinR, 31; RostirollaB, 744.

Music Sources:

Anim1563

Cantasi Come Sources:

Jamais tant que je vous-a R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:05 +0000

Language:

Composer:

Binchois

Lauda:

Già mai laudarti quanto degna se’
R5:11 (ababa)

Lauda Poet:

Feo Belcari

Notes:

note: see FallowsCat, 189-90; BrownM, 232; CattinCI, 429-31 (with comparison of both texts). Music ed. in CMM37 (Rei; major prolation version); conflated ed. in FallowsE, 64. EscA & Ox resemble the Rei version, but w/perfect time, doubled note values, and a more elaborate discantus. Lauda text in M690 transmitted in 3 stanzas, the middle of which is three lines long (aba), the outer five (ababa).

Music Sources:

EscA

Cantasi Come Sources:

Chi vedesse il [Conte] Carmignola-a

admin — Wed, 28 Jan 2015 20:56:04 +0000

Language:

Lauda:

Cantar vo’ del dolce amore
Qr:8/7 (abab cdcd...)

Lauda Poet:

Feo Belcari

Notes:

note: 2nd line of cc. reads ‘...cavalcar per lo Bresciano’ [‘brescian’, M690]; ‘Chi vede’l carmignuola cavalcare’ (LA480). D’AnconaPP, 479; see also p. 56, where D’Ancona gives the first two lines as: ‘Che vedesse il Conte Carmignola/Cavalcar per lo bresciano’. D’AnconaPP, 56 suggests that the cc. circulated in Florence around 1426, when Florentines were at war in Lombardy.

Music Sources:

Cantasi Come Sources:

Con desiderio io vo cercando BaG:8 (xyyx ababbccx)

admin — Wed, 28 Jan 2015 20:56:01 +0000

Language:

Lauda:

Tu che puoi quel che tu vuoi-a
Qr:7/8 (abba cddc...)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 508; Diederichs, 90-99. Alternate cc. for ‘Tu che poi’ = ‘La vita della sgalera’ (Gall2). Lauda re. San Lorenzo. The differing versions of the music for ‘Con desiderio’ ed.: LuisiLG, ii, 28-35 (BU, Grey, Panc27, M18); CattinG, no.5 (Grey; w/notes on p. xviii); Diederichs, 296-303 (M18 facs., BU & Panc27). See WilsonMM, 172, 280-1 (BU). A different a3 setting of ‘Con desiderio’ (found in Cord w/lauda text ‘Ben lo sa Dio’ & ed. in ThibaultM, 4-5; see FallowsCat, 504-5) is related to the identical versions in Grey (ed. CattinG, no.22) & Panc27 (LuisiLG, ii, 32 & Diederichs, 302). Text of ‘Con desiderio’ ed. LuisiLG, i, 292-3. Cc. text entered in R2929, which was copied by 1448, and Mgl II.IX.58, copied by ca. 1415.

Music Sources:

M18

Grey

Panc27

Cantasi Come Sources: