Cantasi come - R2988

O anima accecata che non trovi-c BaMn2/8:5/6/7 (xx ababbccx)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Feo Belcari

Language:

Lauda:

Salve o Elisabetta
7:7/11 (ababCDX)

Lauda Poet:

suor Tomasa Martelli

Music Sources:

Rz1563

Cantasi Come Sources:

R2988

O anima accecata che non trovi-b BaMn2/8:5/6/7 (xx ababbccx)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Feo Belcari

Language:

Lauda:

Sposa di Giovachino, santa Anna
7:7/11 (ababCDX)

Lauda Poet:

suor Tomasa Martelli

Music Sources:

Rz1563

Cantasi Come Sources:

R2988

O anima accecata che non trovi -a BaMn2/8:7/5/6

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Feo Belcari

Language:

Lauda:

Divo Bernardo miro
8:7/11 (ababbCCX)

Lauda Poet:

suor Tomasa Martelli

Notes:

note: See MaceyB, 55, 138-9. Since R2988 gives only ‘O anima accecata’ as a cc. incipit, it is not clear whether Belcari’s ‘O anima accecata che non trovi’ or the anon. ‘O anima accecata tu vai per mala via’ served as the immediate model for ‘Divo Bernardo’ and 2 other laude in this source. Belcari’s lauda is also widely transmitted in the cc. sources with a cc. title of the carnival song ‘Siamo stati in Firenze’ (the ‘Canzona del’Orso’).Rz1563 setting of ’O anima’ ed. Mancuso, no. 27.

Music Sources:

Rz1563 (a2)

Cantasi Come Sources:

R2988

Jesù sommo conforto/tu se’-d 3/4:4/7/10 (abab xxX cdcd..)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Girolamo Savonarola

Language:

Lauda:

O dolce e buon pastore/Ignatio
6:7/11 (ababcX)

Lauda Poet:

suor Tomasa
Martelli

Music Sources:

Cantasi Come Sources:

R2988

Ecco che pur’ dopo si lunghi affanni Mad (ABbAcddEdDff)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Language:

it-mad

Composer:

Arcadelt

Lauda:

Alma gradita in ciel virgo decora
Mad:7/11 (ABbaacCCdd)

Lauda Poet:

suor Tomasa Martelli

Notes:

note: music ed. SeayJA, IV, no. 6.

Music Sources:

Brus

1539/23

Cantasi Come Sources:

R2988

Già fu presa da te/l’anima mia-b Ca4/5:6 (abba caabb deeff..)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Language:

Lauda:

Vieni sposa a Jesù
Qr:6 (abba caac deed effe)

Lauda Poet:

suor M. Deo- data Boni

Music Sources:

Rz1563 (a4)

Anim1563

Cantasi Come Sources:

R2988

modo proprio

admin — Wed, 28 Jan 2015 20:56:46 +0000

Language:

Lauda:

Semper Virgo Maria el nome
BaMn (xX AbAbbX)

Music Sources:

Cantasi Come Sources:

R2988

modo proprio

admin — Wed, 28 Jan 2015 20:56:46 +0000

Language:

Lauda:

Ave Regina ch’ai rifatto ‘l ciel
CapQ:7 (abab cdcd...)

Music Sources:

Cantasi Come Sources:

R2988

O passi sparsi, o pensier vaghi et pronti-a Son

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Petrarch

Language:

it-mad

Composer:

S. Festa/
F. de Layolle

Lauda:

O fresca rosa, o martir Caterina
Son?:11 (abba cdecde)

Lauda Poet:

suor Caterina Mar[telli?]

Notes:

note: HaarCM, 69-70, 96, 110. Festa a4 version in 1526/6, ed. PrizerLP, no.4; HaarCM, 229-34 (see also 245-6 for link to anon. setting of ‘Dite di non’). Setting a5 by F. de Layolle, Venticinque canzoni (Moderne,1540), ed. D’AcconeMFR, iii, 16-18. Cf. lauda in R196 ‘O alma, che diverse cose e tante’ w/ same rhyme scheme. There is also a strambotto by Serafino d’Aquila with the same incipit as the cc. (preserved in BML, Antinori 158, but with no extant music), but the Petrarchan settings remain the likely source for the cc. link. There are later settings of this text by Portinaro (1560), and A. Gabrieli (1587). For evidence of another possible setting of a strambotto with this incipit, see PrizerWC, 409-10; the text is preserved in BML, Antinori 158, and was reportedly brought from Rome to Florence by a Maria, ‘woman of Bianchino da Pisa’ by ca. 1505-8.

Music Sources:

Cantasi Come Sources:

R2988