Deh sappiatevi guardare,o garzon

admin — Wed, 28 Jan 2015 20:56:35 +0000

Language:

Lauda:

Deh sappiatevi guardare da cattive compagnie-b BaG:8 (xyyx ababbccx)

Lauda Poet:

Piero or Antonio di Mariano Muzi

Notes:

note: Ch266 version = ‘Sappiatevi guardare, giovani’ (perhaps a different lauda); most readings transmit ‘Deh, sappiatevi guardare, o garzon, di non tor moglie’. On relation to ‘Ora mai’ complex of Florentine youth confraternity laude, see WilsonHM.

Music Sources:

‘Ora mai che fora son’

Cantasi Come Sources:

Deh sappiatevi guardare, giovani

admin — Wed, 28 Jan 2015 20:56:20 +0000

Poet:

D. Arnolfi?

Language:

Lauda:

Deh sappiatevi guardare da cattive compagnie-a BaG:8 (xyyx ababbccx)

Lauda Poet:

Piero di Mariano Muzi

Notes:

note: Ch266 version = ‘Sappiatevi guardare, giovani’ (perhaps a different lauda); most readings transmit ‘Deh, sappiatevi guardare, o garzon, di non tor moglie’ (these 2 octosyllabic lines suggest the cc. text is also a BaG:8). On relation to ‘Ora mai’ complex of Florentine youth confraternity laude, see WilsonHM. Piero was a guardian of the boy’s Company of the Purification at the convent of San Marco around mid-century, for which this lauda and other’s relating to juvenile obedience were probably destined. He was also the author of the sacra rappresentazione, the Festa del vitel sagginato, which was performed within the Purification during carnival of 1449-50, and 1462. The cc. incipit is also transmitted (and attr. to D. Arnolfi) in Benedetto Dei’s Croniche, 91v, where he lists the titles of 30 ‘canzone a ballo’; see LuisiMF, 89-90.

Music Sources:

‘Ora mai che fora son’

Cantasi Come Sources:

Ch266

Gall2

Cantasi come - ‘Ora mai che fora son’

Deh sappiatevi guardare,o garzon

Deh sappiatevi guardare, giovani