Cantasi come - Cord

De tous biens plaine R4:8 (abba)

admin — Wed, 28 Jan 2015 20:56:38 +0000

Language:

Composer:

Hayne van Ghizeghem

Lauda:

Di tutto ben se’ fonte eterno Iddio
5:7/11 (ABAbX)

Notes:

note: FallowsCat, 129-30; CattinCI, 424-5. Gall4 incipit = ‘Di tuo ben pleni’. Music ed. ThibaultM, 38 (Cord); PopeM, 320 (MC); PerkinsM, ii, no. 32 (Mel); HewittO, 263 (Odh, w/added CtA); JeppesenK, 7 (Cop); and others (see FallowsCat). For lists of later pieces based on Hayne’s song, see CMM74, xxxix-xli; ThibaultM, xcix, & MeconiA, 27. For a recent edition of 28 settings of ‘De tous biens’, see CyrusD.

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Tout a par moy affin qu’on ne me voye R5:10 (aabba)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

Composer:

W. Frye/
Binchois

Lauda:

Tutto per noi se dette il sommo Dio CapQ (AbbA acac CddC cece)

Lauda Poet:

Francesco d’Albizo

Notes:

note: FallowsCat, 386-7; CattinCI, 427. Music ed. ThibaultM, 60 (Cord); CMM19, no. 1 (Lab); PerkinsM, ii, no. 35 (Mel); GutiérrezW, 8 (Wolf); RehmB, no. 58 (SevP). T used in s works by Agricola (2), Tinctoris, & Josquin (see FallowsCat,387). LA424 indicates lauda sent to ‘Sano lanternaio’, probably the Sano di Giovanni lanternaio who was an active, free-lance laudesi & tenorista ca. 1468-1518 at the Companies of San Zanobi, San Piero Martire, & Orsanmichele (where he was pensioned in 1518; see WilsonMM,145-6). Cc. rubric in LA424 = ‘Tota per moi’ (‘Tot pur moi’ in Gall).

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Le serviteur hault guerdonné-c R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

Se poi che vi partisti

Notes:

note: D’AnconaPP, 493 indicates that this lauda is transmitted in the lauda editions of 1510 and 1512 (ie., Gall4 and its Venetian reprint) with this cc. indication, but I have not been able to locate the piece in extant copies of these prints.

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[D’AnconaPP

493]

Le serviteur hault guerdonné-b R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

I’ so’l tuo servitor donna gentile
5:7/11 (AbBCB)

Notes:

note: D’Ancona (1906),435 refers to the version of Dufay’s rondeau transmitted in Pix, where five lines of an Italian poem with a different rhyme scheme and line lengths have been fitted to the five musical phrases of Dufay’s music. The Italian text is ed. in MSD47, no. 92, and appears to be a secular poem, however, and so is anomalous within the cantasi come tradition.

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Cantasi Come Sources:

Pix

Le serviteur hault guerdonné-a R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

E’ servi tuoi Maria vengono a
te-a 5:11 (ababa)

Lauda Poet:

Belcari

Notes:

note: FallowsCat, 251-4; CarboniE, 461-4; WilsonSC, 87; BrownM, 93; CattinCI, 422. See MSD47 & FallowsD for reaffirmation of ascription to Dufay. Music ed. ThibaultM, 52 (Cord); HanenE, no.67 (EscB); PopeM, 333 (MC); CMM1/vi, no. 92 (Porto), BrownF, ii, 240 (different music in BR229). Widely cited and arranged by Isaac, Agricola, Pullois, Busnois, Hanart, et al.; see FallowsCat. See FallowsOR for discussion of Bedyngham’s (?) unrelated musical setting from Tr90. The lauda text is attributed to Ser Firenze in Gall4, but it appears in Belcari’s own collection, M690, and so must be his.

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Morte o mercé gentil aquila altera-b 7:11/7 (ABCCDdE)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Johannes Cornago

Lauda:

Maria mercé umile aquila altera
3/4:11/7 (XYX XAbX XAbX)

Notes:

note: it is unclear in either poem if the tercets are intended to function as refrains and be repeated after the quatrains.

Music Sources:

Cord

EscB

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Morte o mercé gentil aquila altera-a 7:11/7 (ABCCDdE)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Johannes Cornago

Lauda:

Anima mia contempla el mio patire BaMz3/4:11/7 (XYX ABbX CDdX...)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 538-9; CattinR, 36; PopeM, 579-80. Music ed. GerberC, 43, 63 (EscB,Cord), Hanen, no.81 (EscB), CMM42, nos. 5,7 (Cord), ThibaultM, 18 (Cord), PopeM, 185 (MC). Text ed. PirrottaA, 149 (EscB). Cord = version A, EscB/MC = version B. For musically related piece, see Binchois’ ‘Mort en merchy’ (FallowsCat, 288; ed. KayeB, no.26 & RehmB, no. 32). Pirrotta describes the form of Cornago’s text as a ‘piccola canzone’; the sequence of 11 & 7 syllable lines in the first 7 lines of both cc. and lauda are identical.

Music Sources:

Cord

EscB

Cantasi Come Sources:

O pellegrina o luce o chiara stella Str:11

admin — Wed, 28 Jan 2015 20:56:22 +0000

Poet:

Leonardo Giustinian?

Language:

Lauda:

O mia regina o dolce madre bella
Str:11

Lauda Poet:

Feo Belcari

Notes:

note: variant ‘peregrina’ in Gall1. See FallowsCat, 544; CarboniE, 457-8; CattinNR, 230. Ed. ThibaultM (Cord, versions A & B), PopeM & LuisiLG (MC, version A in ballade form; see discussion in PopeM, 566), LuisiLG, ii, 245-6 (Pav362, version B, parody of ‘O rosa bella’), LuisiLG, ii, 247-8 (M176, canonic version C). Though ‘O pellegrina’ is not ascribed to Giustinian anywhere, and is probably not by him, it is transmitted in Venetian mss. and belongs to the broader tradition of giustiniane. It is the only strambotto in the cantasi comes sources traceable to a Venetian orbit.

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J’ay pris amours a ma devise-e R4:8 (abba)

admin — Wed, 28 Jan 2015 20:56:22 +0000

Language:

Lauda:

Vergine bella non mi abbando- nare-b Qr:11 (abba cddc effe)

Lauda Poet:

Feo Belcari

Notes:

note: cc. incipit = ‘Ian presamore’. Usual cc. for this lauda is ‘Gentil madonna’.

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J’ay pris amours a ma devise-d R4:8 (abba)

admin — Wed, 28 Jan 2015 20:56:22 +0000

Language:

Lauda:

Madre che festi colui che ti fece-a
Qr:11 (abba cddc...)

Lauda Poet:

Leonardo Giustinian

Notes:

note: CattinCI, 419. Alternative cc. = ‘Mon seul plaisir’ & modo proprio. See ‘Madre’ as cc. for more extensive bibliography on this song; text entered in R2929, which was copied by 1448.

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