Cantasi come - P676

Sofferir son disposto StrS

admin — Wed, 28 Jan 2015 20:56:43 +0000

Poet:

Serafino Aquilano?

Language:

it-frot

Composer:

Serafino Aquilano?

Lauda:

Ave regina virgo

Notes:

note: see AtlasN, 147-8 (where he argues for the Neapolitan provenance of the cc.); AtlasRM, 202-3; PrizerWC, 409, where he notes that the cc. text was recorded in BML, Antinori 158, a Florentine collection of poesia per music dating from ca. 1505-8. Music ed. AtlasN, 223 (Per431); AtlasRMA, 149. For doubts about Serafino’s authorship of the music, see CattinNR, 235, no. 47. The only evidence that this lauda and its singing model may have been linked in Florence is the presence of the cc. text and music in the Florentine source M121, and the tendency for lauda contrafacta in north Italian sources to have Florentine connections.

Music Sources:

M121

P676

Per431 Panc27

Cantasi Come Sources:

Panc27

Contento in foco sto come Fenice Str:11

admin — Wed, 28 Jan 2015 20:56:43 +0000

Poet:

Poliziano

Language:

it-frot

Lauda:

Ave di cieli santa imperatrice
Son:11

Lauda Poet:

Leonardo Giustinian

Notes:

note: see CattinRP, 385; BridgmanM, 208-9; JeppesenF, iii, 176-7 (cc. text ed. 158-9); RubsamenLS, 21. Music ed. w/both texts from P676 (a3) & Panc27 (a4) in LuisiLG, ii, 150-1; JeppesenF, iii, 299-300 (Triv55; a3). Text of ‘Ave di cieli’ (an ‘Ave Maria’ acrostic) ed. LuisiLG, i, 260-1 (as ‘Ave di cieli santa imperatrice’, the more usual form of the title); in P676 w/rubric ‘Pro lauda virginis mariae’ & the lauda incipit above. Text of cc. attr. to Serafino Aquilano in some literary mss. I could not verify the assertion in CattinNR, 308 that the work was also to be found in ModF.9.9, no. 12. JeppesenF, ii, 192 & CattinRP, 385 also report a setting of ‘Contento in foco’ in Pesaro, Biblioteca Oliveriana, MS 1144 (1193), pp. 70-71. There is no conclusive evidence that this lauda and its link were known and sung in Florence, and its inclusion in the database is based solely on Poliziano’s authorship of the cc. text, and the tendency of lauda contrafacta in north Italian sources to have Florentine connections.

Music Sources:

P676

Panc27

Triv55

Cantasi Come Sources:

P676

Alta regina a ti piangendo Str:11

admin — Wed, 28 Jan 2015 20:56:43 +0000

Language:

Lauda:

Alta Maria a ti cantando io vengo
Str:11

Notes:

note: BridgmanM, 204-5 (incipits for a4 version in P676). ModF.9.9 version (a3) = P676 (minus alto), ed. CattinCon, 69, with notes on 74. The ModF.9.9 version was copied Oct. 6, 1495. Music ed. BridgmanM, 260-2 (P676; both texts); La Face/BianconiGS, 281-2 (ModF.9.9; text ed. 201-2). P676 transmits the lauda text, which is closely modelled on the original strambotto, with the rubric: ‘hec sunt pro vergine maria’.

Music Sources:

P676

ModF.9.9

Cantasi Come Sources:

P676

Regina del cor mio-i BaG (xyyx AbAbbccx)

admin — Wed, 28 Jan 2015 20:56:43 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

Regina del paradiso

Notes:

note: see BridgmanM, 200-201.

Music Sources:

Grey

P676

Cantasi Come Sources:

P676

Fin ch’ io vivo e poi la morte/tam- era lo tristo core-b BaG:8 (xyxy ababbx)

admin — Wed, 28 Jan 2015 20:56:38 +0000

Language:

it-frot

Lauda:

Maria dentro alla tua corte
BaG:8 (xyxy ababbxxy)

Notes:

note: Gall4 lauda title reads ‘drento’. 4part setting of ‘Maria dentro’ by I. Dammonis in PetL/i, ed. LuisiLG, ii, 338-40.

Music Sources:

Cantasi Come Sources:

Io son l’uccel che sopra rami d’oro Str:11

admin — Wed, 28 Jan 2015 20:56:38 +0000

Language:

it-frot

Composer:

Marchetto Cara?

Lauda:

Io son Jesù che sopra i rami d’oro
Str:11

Notes:

note: see PrizerF, 24-5, where he cites 1494 letter from Don Acteon to Francesco Gonzaga re. having learned ‘L’ocelo da le rame d’oro’ from Pietrobono. Part of a complex of ‘bird-song strambotti’ within the frottola repertory. Popular text and tune set by Cara (& tenor also included in Pesenti’s ‘Io son l’ocel che con le debil ali’, in PetF/viii). Music ed. SchwarzOP, 45, 100; and transmitted in Rz1563 w/anon. lauda text, ed. Mancuso,702-5. See also PrizerI, 28-9 and LockwoodMRF, 107-8.

Music Sources:

Cantasi Come Sources:

Fin ch’ io vivo e poi la morte/tam- era lo tristo core-a BaG:8 (xyxy ababbx)

admin — Wed, 28 Jan 2015 20:56:37 +0000

Language:

it-frot

Lauda:

Fin ch’io vivo e poi la morte dolce madre BaG:8

Lauda Poet:

Bernardo Giambullari

Notes:

note: no cc. indication in the sources, but identity of form, opening lines and ryhme scheme indicate that the secular song ‘Fin che vivo et poi la morte tamera el tristo core’ was the model for Giambullari’s lauda, and the source of its cc. music. Settings of cc. survive a3 (P676, P1597) & a4 (ModF.9.9 & Per431). Music ed. Hernon, 380-3 (Per431); La Face/BianconiGS, 309-12, and text ed. 207-8 (ModF.9.9; ‘Fin che vivo...’). Cc. text ed. A. Saviotti, Rime inedite del secolo XV (Bologna, 1893), 30.

Music Sources:

Cantasi Come Sources:

In te domine speravi Ba5/6:8 (xyyxx ababbx)

admin — Wed, 28 Jan 2015 20:56:37 +0000

Language:

it-frot

Composer:

Josquin des Prez

Lauda:

A te, virgo, ogn’or clamavi-b
BaG4/6:8 (xyyx ababbx)

Lauda Poet:

Bernardo Giambullari

Notes:

note: BridgmanM, 200-1; CattinCI, 434 (‘una frottola musicata da Josquin’); JeppesenF/i, 80-81 (a list of all sources). Music ed. CesariLF, 38; text ed. 19*.

Music Sources:

Cantasi Come Sources:

Fortuna desperata Qr:7 (abba acca...)

admin — Wed, 28 Jan 2015 20:56:35 +0000

Language:

Composer:

Felice or Busnoys

Lauda:

Poi che t’ebbi nel core
Qr:7 (abba abba...)

Lauda Poet:

Francesco d’Albizo

Notes:

note: FallowsCat, 518-20; CattinNF, 206 (esp. n.50 for bib.); CattinR, no.108; RostirollaB, 740. 36 versions of ‘Fortuna’ are ed. in MeconiF. Settings a4 of lauda text transmitted in Grey & Panc27 (different music in Anim1563); ed. CattinG, no.35; CG version (w/Felice’s substitute bass) ed. AtlasCG, ii, 38. Panc27 reinforces the cc. link: the music (the original 3-voice song with an added si placet altus part) is underlaid with d’Albizo’s lauda text, but transmits the incipit ‘Fortuna disperata’ as well; ed. in MeconiF, no. 4. Lauda also transmitted in LA424 without cc., but indication that it was ‘sent to Ser Firenze, prete’. See also the Florentine quodlibet built on the ‘Fortuna’ melody in M164-7, ed. BecheriniT; MeconiF, no. 13; quodlibet strands ed. JeppesenF, iii, 56ff.

Music Sources:

Cantasi Come Sources:

Cas794

Gall2