Cantasi come - LA480 [Gall3]

O lasso a me tapino sventurato-b BaMz

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

Lauda:

O peccator moverati tu mai-a
BaMn:11

Lauda Poet:

Leonardo Giustinian

Notes:

note: setting of Giustinian’s text by Dammonis in PetL/i; music ed. LuisiLG, ii, 96-7. Text of ‘O peccator’ serves as a cc. for three different laude, ed. LuisiLG, i, 287, with more irregular line lengths than version ed. in Gall3, p. 129, which is hendecasyllabic throughout. Lauda text entered in R2929, which was copied by 1448.

Music Sources:

PetL/i

Cantasi Come Sources:

LA480 [Gall3]

Al monte santo Jesù apparia-a BaMn:11 (xx ababbx)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

Lauda:

Alzando gli occhi vidi Maria-a
BaMn:11 (xx ababbx)

Notes:

note: in Gall2, cc. sources for ‘Al monte santo’ = ‘O crocifisso’ & ‘a ballo’. Cc. variously attr. to Antonio Bettino and Feo Belcari, but probably predates both men. The text probably dates from the 14thc., and both lauda and cc. texts were entered in R2929, which was copied by 1448.

Music Sources:

Cantasi Come Sources:

LA480 [Gall3]

M686

Angela tu mi fai cantando a te-b 8:7/4 (ABABccDC)

admin — Wed, 28 Jan 2015 20:56:03 +0000

Language:

Lauda:

Vergine tu mi fai-a
7:4/7/10 (ababccC)

Lauda Poet:

Michele Chelli

Notes:

note: CattinS, 269; RostirollaB, 765. Ch266 cc. = ‘Angiola tu mi fai piangendo a te venire’; Rs424 = ‘Anzola tu mi fai’. Text of cc. ed. in D’AnconaPP, 93-4. The line lengths of Cheill’s lauda are: 7/7/7/7/4/4/10, so they match the secular model except at the end, where the lauda conflates the final two 7-syllable lines into a single 10-syllable line.

Music Sources:

Anim1563

Cantasi Come Sources:

Ch266

Rs424

LA480 [Gall3]