Cantasi come - Sq

Altri n’arà la pena et io ‘l danno BaMn:11

admin — Wed, 28 Jan 2015 20:56:23 +0000

Poet:

Franco Sacchetti

Language:

Composer:

Francesco
Landini

Lauda:

Preghiam la dolce vergine Maria-a BaMn:11

Notes:

note: CattinSq, 251 cites this link, but indicates it is tentative. The cc. title is not to be found in Ch266, fol. 204r, where the lauda text is copied with a cc. title indicating Landini’s setting of Sacchetti’s ‘Non creder donna’. WilsonSC, 75. Cc. text ed. AgenoFS, 355.

Music Sources:

Cantasi Come Sources:

Ch266

Ogni uom faccia per sé-a BaMn:5/10 (xX ABABbx)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Poet:

Niccolò Soldanieri

Language:

Composer:

Niccolò da Perugia

Lauda:

O Jesù Cristo, padre e salvatore-a
Str:11

Notes:

note: music & text of cc. ed. PMFC8, 107-8. Variant incipit = ‘Ciascun faccia per se’, according to CattinSq, 250 where the cc.link cannot be verified in the sources (nor are the poetic forms compatible); Cattin cites R2224, 18v, but here the cc. for ‘O Jesù Cristo’ is ‘Partiti messere’, whereas ‘Ogni huom faccia’ is the cc. for ‘Ogni huom con pura fe’ on the same folio of this source. ‘O Jesù Cristo’ is transmitted in Ch266, but without a cc. WilsonSC, 74. In CattinSq, the music is ascribed to Paolo Tenorista & the text to Niccolò Soldanieri, whereas in PMFC8, 107 & 206, the music is attributed to Niccolò da Perugia and the text is considered to be anonyomous. The cc. poem appears in Giovanni Sercambi’s Novelliere (ca.1400); see CilibertiP, 13-15, where the cc. poem is attributed to Antonio Pucci.

Music Sources:

Pit

Cantasi Come Sources:

[R2224]

Per allegrezza del parlar d’amore-a BaG (XYyX ABABBCcX)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Francesco
Landini

Lauda:

Ciascun fedel cristian con riverenza BaG (XYyX ABABBCcX)

Lauda Poet:

Vanni di Martino

Notes:

note: see CattinSq, 249; WilsonSC, 73, Diederichs, 71. Music ed. in PMFC4, no. 11, and in Diederichs, 291-3. On the tentative identification of ‘Vanni’ as the free-lancing lauda singer Vanni di Martino, see WilsonSC, 76-7.

Music Sources:

Cantasi Come Sources:

Ch266

Or è tal l’alma mia BaG (xyyX aBaBbccX)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Francesco
Landini

Lauda:

O vergine Maria, per pietà priego
BaG (xyyX aBaBbccX)

Lauda Poet:

Neri Pagliaresi

Notes:

note: WilsonSC, 75. Cc. in M130 = ‘Oretta, anima mia, per costei rinvenuta’. Music ed. PMFC4, no.17; lauda text ed. VaraniniRS, 30, 177f.

Music Sources:

Pit

Cantasi Come Sources:

M130

Questa leggiadra stella (=luce?) BaMn:11 (xx ababbx)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Andrea da Firenze?

Lauda:

El desiderio di quella
BaG (xyyX ababbccX)

Lauda Poet:

Neri Pagliaresi

Notes:

note: WilsonSC, 74. Music ed. in PMFC10, 44-5; lauda text ed. VaraniniRS, 29, 164f. Title of Andrea’s ballata is ‘Questa leggiadra luce...’, which taken together with the difference in poetic forms suggests that Andrea’s ballata may not be the intended model for Pagliaresi’s lauda.

Music Sources:

Cantasi Come Sources:

M130

Per un verde boschetto BaMn (xX aBaBbX)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Bartolino da Padova

Lauda:

Seguita all’arma d’un gentil bracchetto 7 (AbCbAcA)

Notes:

note: CattinSq, 251, where he lists the lauda as ‘Seguite per via d’un gentil bracchetto; WilsonSC, 75; Diederichs, 58-9. Music ed. in PMFC9, nos. 23a-b (versions a2 & a3). The first line of the lauda is closely modeled on the second line of the secular ballata (‘Seguito l’orma d’un gentil brachetto’), and formally lines 1-7 of the lauda match closely lines 2-8 of the cc. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 25; see CilibertiP, 23-34, and NàdasCR.

Music Sources:

Pit

Man

Cantasi Come Sources:

R2871

Nel mezzo già del mar la navicella MadT:11 (abb acc dd)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Poet:

Franco Sacchetti

Language:

Composer:

Niccolò da Perugia

Lauda:

Nel mezzo a due ladron post’ una stella MadT:11 (abb acc dd)

Notes:

note: CattinSq, 250; WilsonSC, 74. Ed. in PMFC8, 148-50. Text ed. AgenoFS, 69.

Music Sources:

Pit

Cantasi Come Sources:

R2871

I’ vo bene a chi vol bene a me BaMn:11

admin — Wed, 28 Jan 2015 20:56:23 +0000

Poet:

Niccolò Soldanieri

Language:

Composer:

Gherardello

Lauda:

Chi ama, in verità, prima odia sé
BaMn:11

Lauda Poet:

Neri Pagliaresi

Notes:

note: CattinSq, 248-9; WilsonSC, 73. Music ed. in PMFC7, no. 8. Lauda text ed. VaraniniRS, 29, 162; Soldanieri text ed. CarducciCBSM, 200. The cc. poem appears in Giovanni Sercambi’s Novelliere (ca.1400); see CilibertiP, 13-15.

Music Sources:

Cantasi Come Sources:

M130

Appress’un fiume chiaro MadT:7/11 (aBB cDD EE

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Giovanni da Firenze

Lauda:

Appress’ il volto chiaro
MadT:7/11 (aBB cDD EE)

Notes:

note: CattinSq, 248; WilsonSC, 73; CorsiM, 329 (where both texts are compared); Diederichs, 58. Music ed. in MFCI 1, 8-11.

Music Sources:

Cantasi Come Sources:

R2871

Ama, donna, chi t’ama in pura fede BaMz (XyX ABABByX)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Francesco
Landini

Lauda:

Ami ciascun cristian con pura fede
BaMz (XyX ABABByX)

Notes:

note: see CattinSq, 248; WilsonSC, 73; Diederichs, 64; CorsiM, 332. Music ed. PMFC4, no.18. According to D’AnconaPP, 476, title also found in Ch266, and he gives original title of cc. as ‘Ama chi t’ama e chi non t’ama lassa’. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

Music Sources:

Pit

Cantasi Come Sources:

R2871