Cantasi come - M121

Occhi miei di lagrimare-d BaG:8

admin — Wed, 28 Jan 2015 20:56:45 +0000

Language:

it-frot

Lauda:

Occhi miei di lagrimare/non restate-b BaG4/6:8 (xyyx ababbx)

Lauda Poet:

Castellano
Castellani

Notes:

note: CattinCC, 212-13, where he speculates that it was common to designate as modo proprio a cc. of identical or similar incipit, in this case a frottola. The original model (and source of music) for Castellani’s lauda must be the anon. barzelletta ‘Occhi mia di lacrymare’ transmitted in BML Antinori 158 (text only; ), which was among a group of frottole in that collection sent to Lionarda degli Organi from Rome ‘in the songbook’; see PrizerWC, 407. Text and music ed. in BL.Eg3051 & M121. The incipit in M121 is ‘Ochi ormai di lacrimare’; BlackburnTCS, 150

Music Sources:

BL.Eg3051

M121

Cantasi Come Sources:

[see note]

Caritate amore Dei-b BaG4/6:8 (xyyx ababbx)

admin — Wed, 28 Jan 2015 20:56:45 +0000

Poet:

Guglielmo ‘il Giuggiola’

Language:

it-carn

Lauda:

Ricchi siam, lieti, e contenti-a
BaG4/6:8 (xyyx ababbx)

Notes:

note: Rz1563 rubric for ‘Ricchi siam’ = ’laude de compreensori’. A version of the music for the carnival song ‘Caritate amore Dei’ is transmitted in Rz1563 with the text ‘Povertà, fatiche, stenti’, and cc. link to the text of ‘Ricchi siam’.

Music Sources:

M121

BR230

BR337

Cantasi Come Sources:

M365

Rz1563

Sofferir son disposto StrS

admin — Wed, 28 Jan 2015 20:56:43 +0000

Poet:

Serafino Aquilano?

Language:

it-frot

Composer:

Serafino Aquilano?

Lauda:

Ave regina virgo

Notes:

note: see AtlasN, 147-8 (where he argues for the Neapolitan provenance of the cc.); AtlasRM, 202-3; PrizerWC, 409, where he notes that the cc. text was recorded in BML, Antinori 158, a Florentine collection of poesia per music dating from ca. 1505-8. Music ed. AtlasN, 223 (Per431); AtlasRMA, 149. For doubts about Serafino’s authorship of the music, see CattinNR, 235, no. 47. The only evidence that this lauda and its singing model may have been linked in Florence is the presence of the cc. text and music in the Florentine source M121, and the tendency for lauda contrafacta in north Italian sources to have Florentine connections.

Music Sources:

M121

P676

Per431 Panc27

Cantasi Come Sources:

Panc27

Tambur, tambur-a ?2/4:7/6 (xY abab?)

admin — Wed, 28 Jan 2015 20:56:40 +0000

Language:

it-carn

Lauda:

E’ll’ardera, l’abrucera-b
CapQ:7/6 (AAAx BBBx...)

Notes:

note: Carboni-ZiinoLM, 282. See B. Landini’s ‘Oimè, oimè quanto misero se’ as alternate cc. and s.v. modo proprio. In Ferr84 ‘Tambur, tambur’ cc. indication cancelled, but the a2 music in Rz1563 for Landini’s text (ed. Mancuso, 549-52) is, in fact, the music for the soprano and tenor parts of ‘Tambur, tambur’ as preserved in M121 (the a4 version in CortP differs in texture, though is based on the same borrowed popular melody); see BlackburnTCS, 134-8 (M121 version ed. 154--5; CortP ed. 156-7).

Music Sources:

BR337

M121

CortP Rz1563

Cantasi Come Sources:

Ferr84 (cancelled)

De tous biens plaine R4:8 (abba)

admin — Wed, 28 Jan 2015 20:56:38 +0000

Language:

Composer:

Hayne van Ghizeghem

Lauda:

Di tutto ben se’ fonte eterno Iddio
5:7/11 (ABAbX)

Notes:

note: FallowsCat, 129-30; CattinCI, 424-5. Gall4 incipit = ‘Di tuo ben pleni’. Music ed. ThibaultM, 38 (Cord); PopeM, 320 (MC); PerkinsM, ii, no. 32 (Mel); HewittO, 263 (Odh, w/added CtA); JeppesenK, 7 (Cop); and others (see FallowsCat). For lists of later pieces based on Hayne’s song, see CMM74, xxxix-xli; ThibaultM, xcix, & MeconiA, 27. For a recent edition of 28 settings of ‘De tous biens’, see CyrusD.

Music Sources:

Cantasi Come Sources:

Già fummo or non siàn più 7:7/11 (AbAbcbC)

admin — Wed, 28 Jan 2015 20:56:37 +0000

Poet:

Niccolò Machiavelli

Language:

it-carn

Lauda:

Già fummo eletti, ed or siam riprovati 7:7/11 (AbAbcbC)

Notes:

note: carnival song (mascherata)-Canzona (or Canto) de’ Diavoli; music ed. GallucciFFM, no.9. Lauda = song of condemned souls. Text of cc. in BruscagliTCC, i, 27, where it is called the ‘[Canzona] de’ diavoli iscacciati di cielo’. BruscagliTCC, i, 218 transmits the text of a different ‘Canzona de’ Diavoli’, ‘Se colui ch’ora in ciel gode immortale’, and il Giuggiola’s ‘Trionfo di diavoli’, set by A. Coppini, is a cc. for the lauda ‘Giù nelle infernal grotte morte’. GhisiCC, 93 mistakenly associates the Coppini setting with the Machiavelli text. See CattinNR, 260, and BlackburnTCS, 129 who cites a likely date of Carnival, 1502 for Machiavelli’s carnival song (the text of which alludes to the election of Cardinal Giuliano de’ Medici).

Music Sources:

M121

BR230

Cantasi Come Sources:

Se bem soletto vado Str

admin — Wed, 28 Jan 2015 20:56:37 +0000

Language:

it-frot

Lauda:

Jesù quando contemplo il tuo dolore Str:11

Notes:

note: M121 = ‘Se bem soletto vado’ (a4); see BlackburnTCS, 125, 171-2. Appears in PetrucciF/v, f.17 with text ‘Ben che soletto vado’, and in BL.Eg3051 with text of Serafino’s strambotto, ‘Io mando ognora al ciel’.

Music Sources:

M121

SG463 (a2)

PetF/v BL.Eg3051

Cantasi Come Sources:

Fortuna desperata Qr:7 (abba acca...)

admin — Wed, 28 Jan 2015 20:56:35 +0000

Language:

Composer:

Felice or Busnoys

Lauda:

Poi che t’ebbi nel core
Qr:7 (abba abba...)

Lauda Poet:

Francesco d’Albizo

Notes:

note: FallowsCat, 518-20; CattinNF, 206 (esp. n.50 for bib.); CattinR, no.108; RostirollaB, 740. 36 versions of ‘Fortuna’ are ed. in MeconiF. Settings a4 of lauda text transmitted in Grey & Panc27 (different music in Anim1563); ed. CattinG, no.35; CG version (w/Felice’s substitute bass) ed. AtlasCG, ii, 38. Panc27 reinforces the cc. link: the music (the original 3-voice song with an added si placet altus part) is underlaid with d’Albizo’s lauda text, but transmits the incipit ‘Fortuna disperata’ as well; ed. in MeconiF, no. 4. Lauda also transmitted in LA424 without cc., but indication that it was ‘sent to Ser Firenze, prete’. See also the Florentine quodlibet built on the ‘Fortuna’ melody in M164-7, ed. BecheriniT; MeconiF, no. 13; quodlibet strands ed. JeppesenF, iii, 56ff.

Music Sources:

Cantasi Come Sources:

La virtù si vuol seguire BaG4/6:8 (xyyx ababbx)

admin — Wed, 28 Jan 2015 20:56:31 +0000

Language:

it-frot

Composer:

Marchetto Cara

Lauda:

Mai riposo alcun non ha Jesù-a
BaG4/6:7/8 (xyyx AbAbbx)

Notes:

note: BlackburnTCS, 151-2, 172, where she designates the cc. a frottola. Music & text of frottola ed. PrizerCP, 505-8 (cc. text; P676); same music with lauda text in Rz1563 ed. Mancuso, 297-303, where she attributes the text of ‘Mai riposo’ to d’Albizo without explanation. Lauda is not to be confused with another of similar incipit also transmitted in M365, ‘Risposo alcun non trovo Jesù’. The cc. text was also recorded in BML, Antinori 158, a Florentine collection of poesia per musica dating from ca. 1505-8; see PrizerWC.

Music Sources:

M121

P676

Panc27 Rz1563

Cantasi Come Sources:

M365

Caritate amore Dei-c BaG4/6:8 (xyyx ababbx)

admin — Wed, 28 Jan 2015 20:56:31 +0000

Poet:

Guglielmo ‘il Giuggiola’

Language:

it-carn

Lauda:

Spirti sian sempre gaudenti
BaG4/6:8 (xyyx ababbx)

Lauda Poet:

Serafino Razzi

Notes:

note: Razzi transmits a 3vv setting of his text (ed. Mancuso, no. 37), suitable for singing ‘Caritate amore Dei’ (see MaceyB, 56), but a different 4-part setting of ‘Caritate’ is transmitted in the extant Florentine carnival song sources (ed. GallucciFFM, no.41; cc. text ed. SingletonCC, 280-81), and Razzi adapts this music in a 2-part arrangement for a different lauda linked to ‘Caritate’, ‘Povertà, fatiche, stenti santo’. The music for ‘Spirti sian’ in Rz1563 looks very much like a carnival song setting, but either this is a sacred carnival song or the original secular text has not yet been identified. MaceyB, 56 proposes that there were two distinct musical settings for ‘Caritate amore Dei’. Oddly enough, Razzi transmits yet a different melody for the text of ‘Spriti sian’ in Pal173, fol. 97r.

Music Sources:

M121

BR230

BR337 Rz1563

Cantasi Come Sources:

M365