Cantasi come - R1502

Questa sposa diletta-f BaG (xyyX ababbccX)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Leonardo Giustinian?

Language:

Composer:

[InnocentiusDammonis]

Lauda:

Spirito Santo amore-e
BaG (xyyX ababbccX)

Lauda Poet:

Leonardo Giustinian

Notes:

note: cc. title in R1502 is ‘Sposa diletta’, but must be the popular lauda ‘Questa sposa diletta’, which is formally compatible with Giustinian’s lauda. Both versions found throughout Ch266, where a much earlier musical setting than those above was intended.

Music Sources:

Cantasi Come Sources:

R1502

O rosa mia gentile-f BaG (xYyX AbAbbCcX)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

Genitrice di Dio-b
BaMz (xyyx AbAbbccx)

Lauda Poet:

Feo Belcari

Music Sources:

Cantasi Come Sources:

R1502

O donna del mio core-d

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

Genitrice di Dio-a
BaMz (xyyx AbAbbccx)

Lauda Poet:

Feo Belcari

Notes:

note: alternate cc. = ‘O rosa mia gentile’

Music Sources:

Cantasi Come Sources:

R1502

Madre che festi-zb +rispetti (S) Qr:11 (abba cddc...)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

Vergine santa immaculata e pia-a
10 (AbAbcdcdEE)

Lauda Poet:

Tholosano

Notes:

note: according to BecheriniSR, 201, a lauda with the incipit ‘Vergine santa immacolata e pia’ concludes the Rappresentazione dell’Annunciazione.

Music Sources:

Ven

PetL/i

Cantasi Come Sources:

R1502

Leggiadra damigella, o segnor mio-l BaMz (XyX AbAbBcX)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

Tanta pietà mi tira e tant’amore-c
BaMz3/9 (XxY ABABABCcX)

Lauda Poet:

Feo Belcari

Notes:

note: cc. indication crossed out in R1502, ‘Anima ingrata’ & ‘Leggiadra diva’ = alternate cc.

Music Sources:

Cantasi Come Sources:

R1502

Anima ingrata poi che vuoi seguire-g BaMz (XyX AbAbBcX)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Michele Chelli

Language:

Lauda:

Tanta pietà mi tira e tant’amore-a
BaMz3/9 (XxY ABABABCcX)

Lauda Poet:

Feo Belcari

Notes:

note: alternate cc. in R1502 = ‘Leggiadra diva’, ‘Leggiadra damigella’

Music Sources:

Cantasi Come Sources:

R1502

Donna questi lamenti-c BaMz? (xyZ xyZ abababZ)

admin — Wed, 28 Jan 2015 20:56:22 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

L’amor a me venendo-a
BaGG:7 (xyyx ababbccx)

Lauda Poet:

Bianco da Siena?

Notes:

note: Gall2 = ‘Donna sti mie’ lamenti’. Ed. with both texts, and music from Pav361 (which transmits the text of only ‘L’amor’) in LuisiLG, ii, 225; text of ‘L’amor’ ed. i, 291. See also link to lauda ‘Anima benedetta’ (w/extant musical settings). On the connection between these two texts of the Giustiniana trad., see GhisiUL, 61-4. Both laude serve as cc. for Belcari’s ‘Dolce madre Maria’. Lauda text entered in R2929, which was copied by 1448.

Music Sources:

see ‘L’amor’ as cc.

Cantasi Come Sources:

Una donna d’amor fino BaG (xYyX aBaBbCcX)

admin — Wed, 28 Jan 2015 20:56:20 +0000

Language:

Lauda:

Crocifisso a capo chino
BaG (xYyX aBaBbCcX)

Lauda Poet:

Feo Belcari

Notes:

note: Vittore Branca has shown that this cc., often attributed to Lorenzo de’ Medici, is a canzone a ballo that refers to a novella in the Decameron, and that it was already circulating in the late trecento; BrancaP, 403-8. The cc. text is also transmitted in RA2435, pp. 138-40.

Music Sources:

Cantasi Come Sources:

O rosa bella o dolce anima mia-a BaMn:11 (xx ababbx)

admin — Wed, 28 Jan 2015 20:56:16 +0000

Poet:

Leonardo Giustinian

Language:

Composer:

Ciconia or Bedyngham/Dunstable

Lauda:

O diva stella o vergine Maria
BaMn:11 (xx ababbx)

Notes:

note: see FallowsCat, 545-50; CarboniE, 447-8. Due to late 15th. date of cc. sources, this cc. (vs. Ch266 for ‘O sacra stella’) may refer to the more famous and widely diffused Bedyngham/Dunstable setting, w/music in several Florentine sources (BerK, Pix, RU1411; see FallowsCat, 545f., for a complete list of sources). However, the fact that this lauda is directly modeled upon an older one, ‘O sacra stella’, in Ch266, with an ‘O rosa bella’ cc. rubric that must refer to Ciconia’s music, suggests that his music continued to serve both laude throughout the 15thc. Bedyngham/Dunstable music ed. in LuisiLG, ii, 248-54 (EscB, Pav362, Per431, where both texts are underlaid; PopeM, 310 (MC); ThibaultM, 13 (Cord), HanenE, no.29a (EscB); facs. in LuisiLG, ii, plates xix-xxix (Pix, EscB, SevP, Cord, Porto, Per431). See also FallowsOR for his argument in favor of Bedyngham as composer of the later musical setting. For bibliographic information on Ciconia’s setting, see the lauda ‘O sacra stella’ (cc. ‘O rosa bella’). The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR.

Music Sources:

Cantasi Come Sources:

Amor se ti diletta

admin — Wed, 28 Jan 2015 20:56:03 +0000

Language:

Lauda:

Questa sposa diletta dello Spirito
BaG (xyyX ababbccX)

Lauda Poet:

Leonardo Giustinian?

Notes:

note: this link cited in D’AnconaPP, 476, but omitted from other secondary literature. Text of ‘Questa sposa’ ed. LuisiLG, i, 398-9, and is found in 14thc. laudarios like BML, Ashburnham 423, vol. 129r.

Music Sources:

Cantasi Come Sources: