Cantasi come - Lo

Ogni uom faccia per sé-a BaMn:5/10 (xX ABABbx)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Poet:

Niccolò Soldanieri

Language:

Composer:

Niccolò da Perugia

Lauda:

O Jesù Cristo, padre e salvatore-a
Str:11

Notes:

note: music & text of cc. ed. PMFC8, 107-8. Variant incipit = ‘Ciascun faccia per se’, according to CattinSq, 250 where the cc.link cannot be verified in the sources (nor are the poetic forms compatible); Cattin cites R2224, 18v, but here the cc. for ‘O Jesù Cristo’ is ‘Partiti messere’, whereas ‘Ogni huom faccia’ is the cc. for ‘Ogni huom con pura fe’ on the same folio of this source. ‘O Jesù Cristo’ is transmitted in Ch266, but without a cc. WilsonSC, 74. In CattinSq, the music is ascribed to Paolo Tenorista & the text to Niccolò Soldanieri, whereas in PMFC8, 107 & 206, the music is attributed to Niccolò da Perugia and the text is considered to be anonyomous. The cc. poem appears in Giovanni Sercambi’s Novelliere (ca.1400); see CilibertiP, 13-15, where the cc. poem is attributed to Antonio Pucci.

Music Sources:

Pit

Cantasi Come Sources:

[R2224]

Per allegrezza del parlar d’amore-a BaG (XYyX ABABBCcX)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Francesco
Landini

Lauda:

Ciascun fedel cristian con riverenza BaG (XYyX ABABBCcX)

Lauda Poet:

Vanni di Martino

Notes:

note: see CattinSq, 249; WilsonSC, 73, Diederichs, 71. Music ed. in PMFC4, no. 11, and in Diederichs, 291-3. On the tentative identification of ‘Vanni’ as the free-lancing lauda singer Vanni di Martino, see WilsonSC, 76-7.

Music Sources:

Cantasi Come Sources:

Ch266

Per un verde boschetto BaMn (xX aBaBbX)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Bartolino da Padova

Lauda:

Seguita all’arma d’un gentil bracchetto 7 (AbCbAcA)

Notes:

note: CattinSq, 251, where he lists the lauda as ‘Seguite per via d’un gentil bracchetto; WilsonSC, 75; Diederichs, 58-9. Music ed. in PMFC9, nos. 23a-b (versions a2 & a3). The first line of the lauda is closely modeled on the second line of the secular ballata (‘Seguito l’orma d’un gentil brachetto’), and formally lines 1-7 of the lauda match closely lines 2-8 of the cc. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 25; see CilibertiP, 23-34, and NàdasCR.

Music Sources:

Pit

Man

Cantasi Come Sources:

R2871

Appress’un fiume chiaro MadT:7/11 (aBB cDD EE

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Giovanni da Firenze

Lauda:

Appress’ il volto chiaro
MadT:7/11 (aBB cDD EE)

Notes:

note: CattinSq, 248; WilsonSC, 73; CorsiM, 329 (where both texts are compared); Diederichs, 58. Music ed. in MFCI 1, 8-11.

Music Sources:

Cantasi Come Sources:

R2871

Benché partir da te molto mi doglia BaMz (XyY ABABBxY)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Niccolò da Perugia

Lauda:

Benedetto colui el qual si spoglia
BaMz (XyY ABABBxY)

Notes:

note: See CattinSq, 251; WilsonSC, 73; Diederichs, 70. Ed. in PMFC8, 101-2.

Music Sources:

Pit

Cantasi Come Sources:

R2871

Poi che da te me convien partir via-b BaMn:11 (xx ababbx)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Francesco
Landini

Lauda:

Sotto v’ò posto questa compa- gnia BaMn:11 (xx ababbx)

Notes:

Music Sources:

Cantasi Come Sources:

R2871

Poi che da te me convien partir via-a BaMn:11 (xx ababbx)

admin — Wed, 28 Jan 2015 20:56:23 +0000

Language:

Composer:

Francesco
Landini

Lauda:

Ciascun che ’l regno di Jesù desia-b BaMn:11 (xx ababbx)

Notes:

note: CattinSq, 249; WilsonSC, 75; Diederichs, 63. Ed. in PMFC4, 16; NadasL, 108-10. Addendum: Landini’s text copied into a ‘codice Trevisano’; V. Cian, “Ballate e strombotti del sec. XV”, p. 40.

Music Sources:

Cantasi Come Sources:

R2871

Donna, s’io t’ò fallito o d’ altr’ amor BaMz3/9 (xYY AbCBaCdYY)

admin — Wed, 28 Jan 2015 20:56:20 +0000

Language:

Composer:

Francesco
Landini

Lauda:

Donna, s’i’ son partito da Cristo
BaMz3/9 (xYY AbCBaCdYY)

Notes:

note: R2871: ‘questa va in su donna si te fallito’. See CattinSq, 249; WilsonSC, 74; Diederichs, 63. Music ed. in PMFC4, 1. Given the early date of R2871 (c. late 14thc), the cc. link to Landini’s ballata is likely. However, 15thc. sources regularly cite another cc.: ‘S’io t’ò fallito, donna, mi dispiace’, a different trecento poem (BaMn:11), ed. in CarducciCBSM, 149-150. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

Music Sources:

Pit

Man

Cantasi Come Sources:

R2871

Per allegrezza del parlar d’amore-b BaG (XYyX ABABBCcX)

admin — Wed, 28 Jan 2015 20:56:16 +0000

Language:

Composer:

Francesco
Landini

Lauda:

Per l’allegrezza del nostro
Signore BaG (XYyX ABABBCcX)

Lauda Poet:

Angelo da Camerino

Notes:

note: see CattinSq, 250; WilsonSC, 7; Diederichs, 71, 291-3, where music & both texts are edited. The lauda text is found in 14thc. laudarios, like BML, Ashburnham 423, vol. 132r (where there is an attribution to Maestro Agnolo di Santo Spirito), and in R2929, which was copied by 1448.

Music Sources:

Cantasi Come Sources:

Ch266

Ogni uom faccia per sé-b BaMn:5/10 (xX ABABbx)

admin — Wed, 28 Jan 2015 20:56:10 +0000

Poet:

Niccolò Soldanieri

Language:

Composer:

Niccolò da Perugia

Lauda:

O peccatore perché non servi
BaMn (xX ABABbX)

Lauda Poet:

Vanni di Martino

Notes:

note: in Ch266, ‘O peccatore’ designated as ‘fatta da Vanni [di Martino]’; on the tentative identification of ‘Vanni’ as the free-lancing lauda singer Vanni di Martino, see WilsonSC, 76-7. Lauda text entered in R2929, which was copied by 1448.

Music Sources:

Pit

Cantasi Come Sources:

Ch266 [Gall3]