Cantasi come - BerK

Pour une suis desconforté B4:7/8 (abab cdcd) = So ys emprentid

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

Composer:

Bedyngham
or Frye

Lauda:

Con umil core e riverente exordia
Ba:7/11 (Xxx1 ABBA x1 CDCD x1 EFEF)

Notes:

note: FallowsCat, 62-4, under original Eng. title, ‘So ys emprentid in my remembrance’; CarboniE, 454. Music ed. HanenE, no.27 (EscB); PopeM, 146 (MC); CMM19, no.3 and PerkinsM, ii, no.45 (Mel). Eng. title cited by Aaron and Ramos de Pareja, and T used in 1 motet & 2 mass cycles. The poetic form of the lauda appears to be quatrains with an interpolated partial refrain line (‘O Maria, o Maria’).

Music Sources:

Cantasi Come Sources:

R2896

Galans et bons compagnons R4:7/9 (aBBa)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

Lauda:

Jesù Cristo amoroso dè fà ch’i t’ami CapQ (aBBA cDDC...)

Notes:

note: FallowsCat,168. Music ed. ReidemeisterC, no.25 (BerK); cc. text ed. p. 99. 14thc. laudarios transmit an older lauda with the same incipit (‘Jesù Cristo amoroso/ralluminam il core’), but a different poetic form (BaG:8/7 [Xyyx Ababbccx).

Music Sources:

Cantasi Come Sources:

R2896(x2)

Tout a par moy affin qu’on ne me voye R5:10 (aabba)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

Composer:

W. Frye/
Binchois

Lauda:

Tutto per noi se dette il sommo Dio CapQ (AbbA acac CddC cece)

Lauda Poet:

Francesco d’Albizo

Notes:

note: FallowsCat, 386-7; CattinCI, 427. Music ed. ThibaultM, 60 (Cord); CMM19, no. 1 (Lab); PerkinsM, ii, no. 35 (Mel); GutiérrezW, 8 (Wolf); RehmB, no. 58 (SevP). T used in s works by Agricola (2), Tinctoris, & Josquin (see FallowsCat,387). LA424 indicates lauda sent to ‘Sano lanternaio’, probably the Sano di Giovanni lanternaio who was an active, free-lance laudesi & tenorista ca. 1468-1518 at the Companies of San Zanobi, San Piero Martire, & Orsanmichele (where he was pensioned in 1518; see WilsonMM,145-6). Cc. rubric in LA424 = ‘Tota per moi’ (‘Tot pur moi’ in Gall).

Music Sources:

Cantasi Come Sources:

Va t’en mon cuer jour et nuitie R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

Vanne mio core al Signor mio-b
5:8 (aabca)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 397; WilsonSC, 88; CattinR, no.66; CattinCI, 423. Music ed. CMM1/vi, no.68 (Porto).

Music Sources:

BerK

Porto

Cantasi Come Sources:

Seigneur Leon vous soyés bien venus R5:10 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

Signor Jesù tu sia lo ben venuto-b
5:11 (ababa)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 357; WilsonSC, 88; CattinCI, 422-3. Music ed. CMM1/vi, no.85 (R2356); PlamenacU, 83 (Pix; facs. of Pix & BerK). Alternate text of cc. = ‘Benedictus qui venit’. Song for accession of Leonello d’Este as Marquis of Ferrara, c. 1441? (FallowsD, 62-3). Alternate cc. = ‘Pour preson’.

Music Sources:

BerK

R2356

Pix +1

Cantasi Come Sources:

Le serviteur hault guerdonné-c R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

Se poi che vi partisti

Notes:

note: D’AnconaPP, 493 indicates that this lauda is transmitted in the lauda editions of 1510 and 1512 (ie., Gall4 and its Venetian reprint) with this cc. indication, but I have not been able to locate the piece in extant copies of these prints.

Music Sources:

Cantasi Come Sources:

[D’AnconaPP

493]

Le serviteur hault guerdonné-b R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

I’ so’l tuo servitor donna gentile
5:7/11 (AbBCB)

Notes:

note: D’Ancona (1906),435 refers to the version of Dufay’s rondeau transmitted in Pix, where five lines of an Italian poem with a different rhyme scheme and line lengths have been fitted to the five musical phrases of Dufay’s music. The Italian text is ed. in MSD47, no. 92, and appears to be a secular poem, however, and so is anomalous within the cantasi come tradition.

Music Sources:

Cantasi Come Sources:

Pix

Le serviteur hault guerdonné-a R5:8 (aabba)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Dufay

Lauda:

E’ servi tuoi Maria vengono a
te-a 5:11 (ababa)

Lauda Poet:

Belcari

Notes:

note: FallowsCat, 251-4; CarboniE, 461-4; WilsonSC, 87; BrownM, 93; CattinCI, 422. See MSD47 & FallowsD for reaffirmation of ascription to Dufay. Music ed. ThibaultM, 52 (Cord); HanenE, no.67 (EscB); PopeM, 333 (MC); CMM1/vi, no. 92 (Porto), BrownF, ii, 240 (different music in BR229). Widely cited and arranged by Isaac, Agricola, Pullois, Busnois, Hanart, et al.; see FallowsCat. See FallowsOR for discussion of Bedyngham’s (?) unrelated musical setting from Tr90. The lauda text is attributed to Ser Firenze in Gall4, but it appears in Belcari’s own collection, M690, and so must be his.

Music Sources:

Cantasi Come Sources:

Gentil madonna non mi abbandonare-b BaMn?2/5:11/7 (XX abBax)

admin — Wed, 28 Jan 2015 20:56:22 +0000

Poet:

Leonardo Giustinian?

Language:

Composer:

Johannes
Bedyngham

Lauda:

Vergine bella non mi abbando- nare-a Qr:11 (abba cddc effe)

Lauda Poet:

Feo Belcari

Notes:

note: lauda re. Sta. Margherita

Music Sources:

Cantasi Come Sources:

CorsD3

Gall1

M690

Gentil madonna non mi abbandonare-a BaMn?2/5:11/7 (XX abBax)

admin — Wed, 28 Jan 2015 20:56:22 +0000

Poet:

Leonardo Giustinian?

Language:

Composer:

Johannes
Bedyngham

Lauda:

Umil madonna non mi abbando- nare BaMn2/5?:11/7 (XX abBax

Lauda Poet:

Francesco d’Albizo

Notes:

note: = Bedyngham’s ‘Fortune elas’, possibly an originally English text. See FallowsCat, 521-2, where he also briefly discusses Giustinian’s doubtful authorship of the cc. text; CarboniE, 451-2; WilsonSC, 18; PirrottaMC, 153-5 (ed. of 1st stanza); PerkinsM, ii, no. 46 (ed. of text). Music ed. ThibaultM, p. 8 (Cord); HanenE, iii, no. 101 & LuisiLG, ii, 234 (EscB); PerkinsM, i, no. 46 (Mel); PopeM, 376 (MC). Listed in index of Q16. See PrizerG re. performance of ‘Fortuna’ on organ in 1460 for Rodrigo Borgia. In LA424, lauda sent to ‘Ser Firenze prete in Orto San Michele [Orsanmichele] cantore’.

Music Sources:

Cantasi Come Sources: