Cantasi come - Mel

De tous biens plaine R4:8 (abba)

admin — Wed, 28 Jan 2015 20:56:38 +0000

Language:

Composer:

Hayne van Ghizeghem

Lauda:

Di tutto ben se’ fonte eterno Iddio
5:7/11 (ABAbX)

Notes:

note: FallowsCat, 129-30; CattinCI, 424-5. Gall4 incipit = ‘Di tuo ben pleni’. Music ed. ThibaultM, 38 (Cord); PopeM, 320 (MC); PerkinsM, ii, no. 32 (Mel); HewittO, 263 (Odh, w/added CtA); JeppesenK, 7 (Cop); and others (see FallowsCat). For lists of later pieces based on Hayne’s song, see CMM74, xxxix-xli; ThibaultM, xcix, & MeconiA, 27. For a recent edition of 28 settings of ‘De tous biens’, see CyrusD.

Music Sources:

Cantasi Come Sources:

Pour une suis desconforté B4:7/8 (abab cdcd) = So ys emprentid

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

Composer:

Bedyngham
or Frye

Lauda:

Con umil core e riverente exordia
Ba:7/11 (Xxx1 ABBA x1 CDCD x1 EFEF)

Notes:

note: FallowsCat, 62-4, under original Eng. title, ‘So ys emprentid in my remembrance’; CarboniE, 454. Music ed. HanenE, no.27 (EscB); PopeM, 146 (MC); CMM19, no.3 and PerkinsM, ii, no.45 (Mel). Eng. title cited by Aaron and Ramos de Pareja, and T used in 1 motet & 2 mass cycles. The poetic form of the lauda appears to be quatrains with an interpolated partial refrain line (‘O Maria, o Maria’).

Music Sources:

Cantasi Come Sources:

R2896

Tout a par moy affin qu’on ne me voye R5:10 (aabba)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Language:

Composer:

W. Frye/
Binchois

Lauda:

Tutto per noi se dette il sommo Dio CapQ (AbbA acac CddC cece)

Lauda Poet:

Francesco d’Albizo

Notes:

note: FallowsCat, 386-7; CattinCI, 427. Music ed. ThibaultM, 60 (Cord); CMM19, no. 1 (Lab); PerkinsM, ii, no. 35 (Mel); GutiérrezW, 8 (Wolf); RehmB, no. 58 (SevP). T used in s works by Agricola (2), Tinctoris, & Josquin (see FallowsCat,387). LA424 indicates lauda sent to ‘Sano lanternaio’, probably the Sano di Giovanni lanternaio who was an active, free-lance laudesi & tenorista ca. 1468-1518 at the Companies of San Zanobi, San Piero Martire, & Orsanmichele (where he was pensioned in 1518; see WilsonMM,145-6). Cc. rubric in LA424 = ‘Tota per moi’ (‘Tot pur moi’ in Gall).

Music Sources:

Cantasi Come Sources:

Il estoit ung bonhomme 4:6 (abcb)

admin — Wed, 28 Jan 2015 20:56:25 +0000

Language:

Composer:

Petit Jan?

Lauda:

Egli è il tuo buon Jesù-a
Qr:6 (abca cdec...)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 184; CattinR, 36-7; CattinCI, 418. ‘Il estoit’ = 2nd text; primary text = ‘Mon trestout’ (FallowsCat, 288), w/setting by Petit Jan in Mel. Music ed. PerkinsM, ii, no. 28. Cf. also 4-part setting of ‘Egli è il tuo buon Jesù’ in Panc27, no. 67, by Fr. Dionisius Placentius, ed. JeppesenL, p.168. Later settings of ‘Il estoit’ in P1597, et al. may be related.

Music Sources:

Mel

CortP

M164-7 Panc27

Cantasi Come Sources:

Gentil madonna non mi abbandonare-b BaMn?2/5:11/7 (XX abBax)

admin — Wed, 28 Jan 2015 20:56:22 +0000

Poet:

Leonardo Giustinian?

Language:

Composer:

Johannes
Bedyngham

Lauda:

Vergine bella non mi abbando- nare-a Qr:11 (abba cddc effe)

Lauda Poet:

Feo Belcari

Notes:

note: lauda re. Sta. Margherita

Music Sources:

Cantasi Come Sources:

CorsD3

Gall1

M690

Gentil madonna non mi abbandonare-a BaMn?2/5:11/7 (XX abBax)

admin — Wed, 28 Jan 2015 20:56:22 +0000

Poet:

Leonardo Giustinian?

Language:

Composer:

Johannes
Bedyngham

Lauda:

Umil madonna non mi abbando- nare BaMn2/5?:11/7 (XX abBax

Lauda Poet:

Francesco d’Albizo

Notes:

note: = Bedyngham’s ‘Fortune elas’, possibly an originally English text. See FallowsCat, 521-2, where he also briefly discusses Giustinian’s doubtful authorship of the cc. text; CarboniE, 451-2; WilsonSC, 18; PirrottaMC, 153-5 (ed. of 1st stanza); PerkinsM, ii, no. 46 (ed. of text). Music ed. ThibaultM, p. 8 (Cord); HanenE, iii, no. 101 & LuisiLG, ii, 234 (EscB); PerkinsM, i, no. 46 (Mel); PopeM, 376 (MC). Listed in index of Q16. See PrizerG re. performance of ‘Fortuna’ on organ in 1460 for Rodrigo Borgia. In LA424, lauda sent to ‘Ser Firenze prete in Orto San Michele [Orsanmichele] cantore’.

Music Sources:

Cantasi Come Sources:

Dona gentile bella come l’oro BaG:11 (xyyx ababb??a)/R4:11 (abba)

admin — Wed, 28 Jan 2015 20:56:20 +0000

Language:

Composer:

Dufay

Lauda:

Se vuo’ gustar el dolce amor-a
Qr:11 (abba cddc...)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 515. Music ed. CMM1, vi, no. 8 & ThibaultM (Cord); PerkinsM, ii, no.33 (Mel); SchavranP, ii, 133 (Pav362). Alternate cc. = ‘Madre che festi’, & ‘Se vo’ sape’ matre’ (‘Se vous scaviés ma tres douce maistresse’). Cc. also cited in quodlibet on ‘Mon seul plaisir’, and as incipit for Isaac’s ‘La morra’ in CG. On the hybrid form of ‘Dona gentile’, and its literary traces of Giustinian’s style, see FallowsLG, 255-7.

Music Sources:

Cord

Mel

Pav362

Cantasi Come Sources:

[CorsC33]

CorsD3

M690