Cantasi come - Anim1563

Jesù sommo conforto/tu se’-d 3/4:4/7/10 (abab xxX cdcd..)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Girolamo Savonarola

Language:

Lauda:

O dolce e buon pastore/Ignatio
6:7/11 (ababcX)

Lauda Poet:

suor Tomasa
Martelli

Music Sources:

Cantasi Come Sources:

R2988

Già fu presa da te/l’anima mia-b Ca4/5:6 (abba caabb deeff..)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Language:

Lauda:

Vieni sposa a Jesù
Qr:6 (abba caac deed effe)

Lauda Poet:

suor M. Deo- data Boni

Music Sources:

Rz1563 (a4)

Anim1563

Cantasi Come Sources:

R2988

modo proprio

admin — Wed, 28 Jan 2015 20:56:45 +0000

Language:

Lauda:

Già fu presa da te, l’anima mia
Ca4/5:6 (abba caabb deeff..)

Notes:

note: music and text ed. Mancuso, 501-6. Given the moments of awkward text accentuation in this setting, this is probably a contrafactum of a secular song, though its poetic form does not suggest a carnival song model.

Music Sources:

Rz1563

Anim1563

Cantasi Come Sources:

Rz1563

Canzona de’ panellini

admin — Wed, 28 Jan 2015 20:56:45 +0000

Language:

it-carn

Lauda:

L’orazione è sempre buona-b
BaMn:8 (xx ababbx)

Lauda Poet:

Feo Belcari

Notes:

note: the cc. clearly refers to a carnival song, but not one I have been able to locate in the printed sources.

Music Sources:

Grey

Anim1563

Cantasi Come Sources:

Pal120

R196

Bene vivere letari

admin — Wed, 28 Jan 2015 20:56:45 +0000

Language:

Composer:

Giovanni Animuccia

Lauda:

Purità Dio ti mantegna-a
BaG:8 (xyyx ababbccx)

Lauda Poet:

Jacopone da Todi

Notes:

note: see ‘Purità’ as a lauda with a modo proprio for bibliographic notes; text entered in R2929, which was copied by 1448, and in BML, Ashburnham 423, which probably predates the 15thc.

Music Sources:

Anim1563

Cantasi Come Sources:

Pal120

R196 [Gall3]

Favellami fantina innamorate chi son di te

admin — Wed, 28 Jan 2015 20:56:45 +0000

Language:

Lauda:

Giù per la mala via-a
Str:13 (monorhyme)

Lauda Poet:

Feo Belcari

Notes:

note: cf. ‘Giù per la villa lunga’ as possible original secular model. Lauda copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL, 46 (with facsimile).

Music Sources:

Cantasi Come Sources:

LA480

Già fu presa da te/l’anima mia-a Ca4/5:6 (abba caabb deeff..)

admin — Wed, 28 Jan 2015 20:56:42 +0000

Language:

Lauda:

La luce apparit’ è/suore levate su
Qr:6 (abba caac deed effe)

Lauda Poet:

Niccolò Fabbroni

Notes:

note: text & music ed. Mancuso, no. 44.

Music Sources:

Rz1563 (a4)

Anim1563

Cantasi Come Sources:

Rz1563

Deh venitene pastori-c Qr:8 (abbc cdde effg...)

admin — Wed, 28 Jan 2015 20:56:42 +0000

Poet:

Lucretia
Tornabuoni

Language:

Lauda:

Viva Cristo e chi li crede
Qr:8 (abba)

Lauda Poet:

Filippo
Cioni

Notes:

note: Macey proposes this link based on similarity of rhyme scheme; music ed. with this lauda text in MaceyS, 33, and MaceyB, 67.

Music Sources:

Rz1563 (a3)

Anim1563

Cantasi Come Sources:

[MaceyB

66-8]

Se ben or non scopro el foco BaG4/6:8 (xyyx cdcddx)

admin — Wed, 28 Jan 2015 20:56:40 +0000

Language:

it-frot

Composer:

Bartolomeo
Trombon- cino

Lauda:

L’orazione è sempre buona-e
BaMn:8 (xx ababbx)

Lauda Poet:

Feo Belcari

Notes:

note: CattinNF, 204-5. The 4-part setting of ‘L’orazione’ in Grey, ed. CattinG, no.31 (‘L’oration’) is a contrafactum of this well-known Tromboncino frottola, which is ed. & discussed in PerkinsMAR, 407-9; JeppesenF, iii, 249-50; text ed. 152 (Triv55). Music also ed. in CesariLF, 16 (text in appendix, p. 8).

Music Sources:

Cantasi Come Sources:

Grey

L’orazione è sempre buona BaMn:8 (xx ababbx)

admin — Wed, 28 Jan 2015 20:56:40 +0000

Poet:

Feo Belcari

Language:

Lauda:

Questo mondo è fatto a ruote
BaG:8 (xyyx ababbxxy)

Notes:

note: CattinR, 27. Cc. indications for ‘L’orazione’ are ‘Ferrivecchi’ and ‘L’erba buona’. 4-part setting of ‘L’orazione’ in Grey, ed. CattinG, no.31 (‘L’oration’). This is a contrafactum of a well-known Tromboncino frottola, ‘Se ben hor non scopro el foco’, ed. in JeppesenF/iii, 249-50 (Triv55). For more on the frottola, incl. eds., see CattinNF, 204-5. The setting of Belcari’s text in Anim1563 differs from the music found in the other sources; see RostirollaB, 718.

Music Sources:

Cantasi Come Sources:

R196