Cantasi come - Pal472

Anima benedetta [dell’alto creatore] BaG:7 (xyyx ababbccx)

admin — Wed, 28 Jan 2015 20:56:26 +0000

Poet:

Leonardo Giustinian?

Language:

Lauda:

Era tutta soletta/Magdalena d’amore BaG:7

Notes:

note: CattinR, 43, no.70; RostirollaB, 680. There is a monodic setting of the lauda in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & a 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-11, with text ed. i, 259-10. Gall3 = ‘Donna esto mio lamento, vinitiana’. The lauda also enjoyed an extended life in early 17thc. lauda prints (Lodi et Canzonette, 1608); see LuisiLG, ii, 147-9. In 1589/2, ‘Anima benedetta’ sung to a3 setting of ‘Jesù nostro riscatto’. The lauda may be modeled on the 14thc. secular ballata ‘Era tutta soletta in un prato d’amore’ (ed. CarducciCBSM, 67-8), which shares the same rhyme scheme of the refrain ‘Anima benedetta’, as well as its BaG:7 form. Cc. text variously attributed to Giustinian, Jacopone da Todi, and Clemente Pandolfini; entered in R2929, which was copied by 1448.

Music Sources:

Ven

Pal472

Anim1563

Cantasi Come Sources:

LA480

O vergine Maria [chiunche ti vuole?] BaG:7?

admin — Wed, 28 Jan 2015 20:56:22 +0000

Language:

Lauda:

Anima benedetta dell’alto creatore-c BaG:7 (xyyx ababbccx)

Lauda Poet:

Leonardo Giustinian?

Notes:

note: CattinR, 43, n.70 . There is a monodic setting of ‘Anima benedetta’ in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-7. Of the two laude in the Galletti prints with the incipit ‘O vergine Maria’, the ‘O vergine Maria/chiunche ti vuole amare’ in Gall4 matches the BaG:7 form of ‘Anima benedetta’.

Music Sources:

Ven

Pal472

Anim1563

Cantasi Come Sources:

Donna questi lamenti-a BaMz? (xyZ xyZ abababZ)

admin — Wed, 28 Jan 2015 20:56:22 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

Anima benedetta dell’alto creatore-a BaG:7 (xyyx ababbccx)

Lauda Poet:

Leonardo Giustinian?

Notes:

note: CattinR, 43, n.70 and (re. the cc.), 33, n.40; RostirollaB, 680 (re. ‘Anima benedetta’). There is a monodic setting of the lauda in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & a 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-7, with text ed. i, 259-10. Gall3 = ‘Donna esto mio lamento, vinitiana’. The lauda also enjoyed an extended life in early 17thc. lauda prints (Nap1608); see LuisiLG,ii,147-9. In 1589/2, ‘Anima benedetta’ sung to a3 setting of ‘Jesù nostro riscatto’. Cc. text ed. Wiese, 159 (‘Donna, sto mio lamento/piazzate aldire in pace’). Other variants: ‘Donna sti mie’ lamenti’, ‘Donna questi mie’ lamenti’ (see D’AnconaPP, 481). RA2435, pp.102-5 transmits a ‘Donna questi lamenti/piacciati udire in pace’ with the unusual form Ba3+3/7 (xyZ xyZ abababZ). Lauda text entered in R2929, which was copied by 1448.

Music Sources:

Ven

Pal472

Anim1563

Cantasi Come Sources: