Cantasi come - Panc27

Jesù, Jesù, Jesù, ogn’un chiami BaMn:7/6 (xx ABABBx)

admin — Wed, 28 Jan 2015 20:56:46 +0000

Poet:

Feo Belcari

Language:

Lauda:

Maria, Maria, Maria, ciascun chiami Maria BaMn:7 (xx ababbx)

Lauda Poet:

fra Ginozzi Simone [Simone Cinozzi?]

Notes:

note: for fuller notes, see ‘Jesù, Jesù, Jesù’ as a lauda with the carnival song ‘Visin, visin, visin’ as a cc. MaceyB, 44-47 (+CD); MaceyNC, 158-9 (music ed. 166); CattinR, no.120; RostirollaB, 709; RostirollaLC, 693-6; PrizerL, 176-7. Music ed. in MaceyS, 12-14 (Panc.27; both texts), PrizerL, 177 (Rz1563); Jaenecke, 143 (BerAT30, with errors); Mancuso, 447-50 (Rz1563, w/Belcari’s text). A different musical version is transmitted in Anim1563, and in subsequent non-Florentine sources (where Belcari’s lauda remained very popular); RostirollaLC, 831.

Music Sources:

Cantasi Come Sources:

R2988

Ma’ si debbe disperare BaG:8 (xyyx ababbccx)

admin — Wed, 28 Jan 2015 20:56:45 +0000

Language:

it-carn

Lauda:

Con desiderio io vo cercando
BaG:8 (xyyx ababbccx)

Notes:

note: Cc. is a carnival song on the subject of peace and fortune; the text is ed. in SingletonCC, 15-16. See ‘Con desiderio’ as a cc. for bibliography on the lauda. Lauda text entered in R2929, which was copied by 1448.

Music Sources:

M18

Grey

Panc27

Cantasi Come Sources:

Pal120

R196

Favellami fantina innamorate chi son di te

admin — Wed, 28 Jan 2015 20:56:45 +0000

Language:

Lauda:

Giù per la mala via-a
Str:13 (monorhyme)

Lauda Poet:

Feo Belcari

Notes:

note: cf. ‘Giù per la villa lunga’ as possible original secular model. Lauda copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL, 46 (with facsimile).

Music Sources:

Cantasi Come Sources:

LA480

Dolce regina [vergine Maria?] [7 (AbAbAbC CdCdCdF...)]

admin — Wed, 28 Jan 2015 20:56:43 +0000

Language:

Lauda:

Ave dulcis, ave pia

Notes:

note: incipit ‘Dolce regina’ transmitted in Panc27; same music in Grey w/text ‘Ave dulcis, ave pia’, & PetL/ii w/text ‘Popule meus’ (ed. in JeppesenL, no.32 based on both sources). See CattinNF, 198. Unclear which was the model for the other, though in Grey the Latin texts tend to be the contrafacta, and if the ‘Dolce regina’ is the same as the ‘Dolce regina vergine Maria’ transmitted in Ch266, then this was likely the earlier setting. See this ‘Dolce regina’ as a lauda with several cc. models.

Music Sources:

Grey

Panc27

PetL/ii

Cantasi Come Sources:

Panc27

Contento in foco sto come Fenice Str:11

admin — Wed, 28 Jan 2015 20:56:43 +0000

Poet:

Poliziano

Language:

it-frot

Lauda:

Ave di cieli santa imperatrice
Son:11

Lauda Poet:

Leonardo Giustinian

Notes:

note: see CattinRP, 385; BridgmanM, 208-9; JeppesenF, iii, 176-7 (cc. text ed. 158-9); RubsamenLS, 21. Music ed. w/both texts from P676 (a3) & Panc27 (a4) in LuisiLG, ii, 150-1; JeppesenF, iii, 299-300 (Triv55; a3). Text of ‘Ave di cieli’ (an ‘Ave Maria’ acrostic) ed. LuisiLG, i, 260-1 (as ‘Ave di cieli santa imperatrice’, the more usual form of the title); in P676 w/rubric ‘Pro lauda virginis mariae’ & the lauda incipit above. Text of cc. attr. to Serafino Aquilano in some literary mss. I could not verify the assertion in CattinNR, 308 that the work was also to be found in ModF.9.9, no. 12. JeppesenF, ii, 192 & CattinRP, 385 also report a setting of ‘Contento in foco’ in Pesaro, Biblioteca Oliveriana, MS 1144 (1193), pp. 70-71. There is no conclusive evidence that this lauda and its link were known and sung in Florence, and its inclusion in the database is based solely on Poliziano’s authorship of the cc. text, and the tendency of lauda contrafacta in north Italian sources to have Florentine connections.

Music Sources:

P676

Panc27

Triv55

Cantasi Come Sources:

P676

Ave dulcis, ave pia BaMn:8 (xx aaax bbbx...)

admin — Wed, 28 Jan 2015 20:56:43 +0000

Language:

lat

Lauda:

Dolce regina [vergine Maria?]

Notes:

note: incipit ‘Dolce regina’ transmitted in Panc27; same music in Grey w/text ‘Ave dulcis, ave pia’, & PetL/ii w/text ‘Popule meus’ (ed. in JeppesenL, no.32, based on both sources). See CattinNF, 198.

Music Sources:

Grey

Panc27

PetL/ii

Cantasi Come Sources:

Panc27

Vivi lieto e non temere BaG:8 (xyyx ababbccx)

admin — Wed, 28 Jan 2015 20:56:43 +0000

Language:

it-frot

Lauda:

A Maria, fonte d’amore-b
5:8 (ababx)

Lauda Poet:

Francesco d’Albizo

Notes:

note: SeeCattinNF, 205-6; PrizerF, 25-7, including ed. of both texts & music (Panc27) on 32-7, and discussion on 24-7. Prizer also shows that the cc. was one of the pieces ‘Don Acteon’ (in a letter to Francesco Gonzaga) claims to have been taught by Pietrobono. Music from Grey (which carries only the lauda text) ed. CattinG, n. 34. Alternate cc. for ‘A Maria’ = Caron’s ‘Accueilly m’a la belle’. Panc27 reading carries the lauda text, and ‘Vive lieto’ as a superscript (14v-15r); see also JeppesenF, ii, 122-3. On ‘Vivi lieto’ see also C. Gallico, Un libro di poesie per musica dell’epoca d’Isabella d’Este, Mantua, 1961, pp. 105-6.

Music Sources:

Panc27

Grey (both a4)

Cantasi Come Sources:

Panc27

O Jesù dolce, o infinito amore-t BaG (XyyX AbAbBccX)

admin — Wed, 28 Jan 2015 20:56:42 +0000

Poet:

Leonardo Giustinian

Language:

Lauda:

Qual lingua mai potria, dolce Signore BaG (XyyX AbAbBccX)

Lauda Poet:

fra Pierfeli- ce Caiano

Music Sources:

Cantasi Come Sources:

Rz1563

ballo-e

admin — Wed, 28 Jan 2015 20:56:40 +0000

Language:

Lauda:

Chi serve a Dio con purità di core-b BaMn:11 (xx ababbx)

Lauda Poet:

Feo Belcari

Music Sources:

Panc27

Cantasi Come Sources:

Se ben or non scopro el foco BaG4/6:8 (xyyx cdcddx)

admin — Wed, 28 Jan 2015 20:56:40 +0000

Language:

it-frot

Composer:

Bartolomeo
Trombon- cino

Lauda:

L’orazione è sempre buona-e
BaMn:8 (xx ababbx)

Lauda Poet:

Feo Belcari

Notes:

note: CattinNF, 204-5. The 4-part setting of ‘L’orazione’ in Grey, ed. CattinG, no.31 (‘L’oration’) is a contrafactum of this well-known Tromboncino frottola, which is ed. & discussed in PerkinsMAR, 407-9; JeppesenF, iii, 249-50; text ed. 152 (Triv55). Music also ed. in CesariLF, 16 (text in appendix, p. 8).

Music Sources:

Cantasi Come Sources:

Grey