Deh ama chi t’ama, e chi non t’ama lassa

note: the cc. line forms a refrain at the end of several verses of the song ‘Angiola tu mi fai/cantando, a te, venire’ in RA2435, pp. 112, but the form of this poem (7:7 [ababxx]) does not match the lauda. The cc. incipit appears not to refer to Bartolino da Padova’s setting of the ballata text, ‘Ama che t’ama e sempre abona fe’.