Ch266

note: this link is conjectural. ‘Partiti core’ is transmitted in Ch266 without a cc., but a surviving letter to Belcari relates how at the deathbed of his daughter Suor Orsula, a nun at the Convent of Santa Brigida, her companions sang ‘Partiti core’; see NosowS, 537-40. The secular song ‘Partiti messer’ was used in both R2224 and elsewhere in Ch266 as a cc., and given the similarity of incipit seems a likely model for ‘Partiti core’.

note: rubric in Ch266 reads, ‘Apresso segh[u]ita una orazione a nostra donna chessi canta per ragione com’ uno madriale il quale comincia Se del signor che ella quinta lucie’ (fol. 291v).

note: ‘Qualunque’ cc in Gall1 is ‘O canzonetta mia’. Lauda re. San Bernardino

note: In Ch266, 32v, the cc. rubric citing ‘Deduto sey’ falls between ‘O pace benedetta’ and ‘Nostr’avocata se’ et sempre fosti’, and appears to refer to the first of these. However, the mixed line lengths of ‘O pace’ are incompatible with ‘Deduto sey’, while those of ‘Nostr’ avocata’ (which also appears on fol. 126r bearing ‘Deduto sey’ as a cc.) are compatible.

note: CattinR,29; CattinNF,202. Settings of Belcari’s text ed. CattinG,no.26 & LuisiLG, ii, 226-7 (Grey, but w/cc text underlaid as well); JeppesenL, p.136 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletii’in suon’e canto, followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’).

note: CattinSq, 251 cites this link, but indicates it is tentative. The cc. title is not to be found in Ch266, fol. 204r, where the lauda text is copied with a cc. title indicating Landini’s setting of Sacchetti’s ‘Non creder donna’. WilsonSC, 75. Cc. text ed. AgenoFS, 355.

note: see CattinSq, 249; WilsonSC, 73, Diederichs, 71. Music ed. in PMFC4, no. 11, and in Diederichs, 291-3. On the tentative identification of ‘Vanni’ as the free-lancing lauda singer Vanni di Martino, see WilsonSC, 76-7.

note: rubric in Ch266, 202v reads, ‘Lauda di maestro marcho’.