Ch266

Or è tal tempo, amor, che questa donna

Language: 

it

Lauda: 

Or è mai tempo è or regina e donna 3:7/11 (ABB CdE CdE)

Music Sources: 
Cantasi Come Sources: 

O lassa a me tapina isventurata-b BaMz (XyX ABABBcX)

Language: 

it

Lauda: 

Io Catherina quanto son beata
BaMz (XyX ABABBCX)

Notes: 

note: cc. title as given in Ch266 reads, ‘O lassa amme tapina isventurata ch’io fui giovane e bella e fantinella fui charcierata’.

Music Sources: 
Cantasi Come Sources: 

O pulcherrima mulierum 5:9

Language: 

lat

Lauda: 

O santissima prega Jesù o me ripara 5:irreg.

Notes: 

note: FallowsCat, 591. Facs. of Pix version in BrownF, i, plate 16. Inscribed the initial ‘O’ in Ch266, fol. 292v is ‘f.b. mi fecie’, most likely an ascription of the lauda text to Feo Belcari.

Cantasi Come Sources: 

O peccator moverati tu mai-b BaMn:11 (xx ababbx)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

De’ peccator non vu’ tu a me venire

Music Sources: 
Cantasi Come Sources: 

O peccator moverati tu mai-a BaMn:11 (xx ababbx)

Poet: 

Leonardo Giustinian

Language: 

it

Composer: 

Innocentius Dammonis

Lauda: 

Come dinanzi a Cristo fuggirai-a
BaMn:11

Lauda Poet: 

Leonardo Giustinian?

Notes: 

note: both texts receive different settings in PetL/i; music ed. LuisiLG, ii, 26-7 (‘Como dinanzi a Christo fuzirai’), and 96-7 (‘O peccator moverati tu mai’). Text of ‘O peccator’ ed. LuisisLG, i, 287, with more irregular line lengths than version ed. in Gall3, p. 129, which is hendecasyllabic throughout. Text of ‘Come dinanzi’ is sometimes attr. to Giustinian, but it may predate him, and is found in (late?) 14thc. laudarios (like BML, Ashburnham 423, fol. 187r) where it is attributed to Jacopone da Todi; also entered in R2929, which was copied by 1448; ed. LuisiLG, i, 294-5.

Music Sources: 
Cantasi Come Sources: 

O padre eterno universal Signore BaG (XYyX ABABBCcX)

Language: 

it

Lauda: 

O santa umiltà, pace del core
BaG (XYyX ABABBCcX)

Notes: 

note: cc. text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 

O lassa a me tapina isventurata-c BaMz (XyX ABABBcX)

Language: 

it

Lauda: 

O lasso a me tapino sventurato-a
BaMz (XyX ABABBcX)

Notes: 

note: ‘O lasso amme tapino’ is sometimes the cc., as for ‘Venga ciascun’ in Gall1. Lauda text survives from late trecento sources. A similar incipit, ‘Oime lassa, tapinella’, attr. to S. di Torello, is transmitted in Benedetto Dei’s Croniche, 91v, where he lists 30 “canzone a ballo”; see LuisiMF, 89-90.

Music Sources: 
Cantasi Come Sources: 

O cor cornelia

Language: 

it

Lauda: 

Ave giglio de’ gigli lum’ accieso
CapT:7/11 (irreg.)

Music Sources: 
Cantasi Come Sources: 

O cor del corpo mio, perché mi fai Qr:11 (abba abab)

Language: 

it

Lauda: 

O uom fatto da Dio, perché mal fai Qr:11 (abba abab bccb)

Notes: 

note: music of cc. is fragmentary in Man (only the underlaid cantus of the ripresa and first volta survives); ed. in PMFC 11, no. 83.

Music Sources: 
Cantasi Come Sources: 

Non so perché si sia-g

Language: 

it

Lauda: 

Non so per qual folia
BaMz (xyX AbAbbcX)

Music Sources: 
Cantasi Come Sources: 

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