Ch266

note: cancelled rubric in Ch266, 102r reads, ‘ella canzona ‘de ama chi tt’ama, e chi non t’ama lascia’.

note: lauda title recorded only in the index of R2224, and cc. link is tentative, though likely given that all the laude in this ms. were apparently intended for singing. Lauda text entered in R2929, which was copied by 1448.

note: see CattinSq, 250; WilsonSC, 74; Diederichs, 70. Music ed. in PMFC4, 18.

note: Music & text of ‘In su...tre bocche’ ed. MaceyS, 66-7; Mancuso, 507-9; discussed in LuisiCB, 433-6, 446-7; MaceyB, 106-7. In Ch266, cc. incipit ‘In su quell’alto monte è la fontana che trabochella drento vi si bagnia bella fantin[ell]a’ suggests an older secular model for Bianco’s 14thc. lauda text (‘In su quell’alto monte vi è una fontana che trabocch’ella d’oro vi son le sponde è d’argento la sua cannella’). Gall2 preserves yet a different cc. incipit for Bianco’s lauda: ‘In su quel monte chiara vi surge la fontanella’. Poet also called ‘Bianco dell’Anciolina Fiorentino, detto da Siena, Ingesuato’ (Gall2, p. 104). There are considerable differences between the texts transmitted in Gall2 & Rz1563. The 3-part setting in Rz1563 appears to be a simple arrangement of an older popular song, and very likely belonged originally to the secular cantasi come text.

note: RostirollaB, 749-50 (re. ‘Se tu donassi’). Sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62,& related version in Rz1563 with text ‘Se tu donassi il core’, with slightly varied C & T, and a different CT). See FallowsCat, 560. Rz1563 text & music ed. Mancuso, 739-42, and appears to differ from the music in Anim1570 (see incipit in RostirollaB, 750).

note: see ‘Dimmi’ as a cc. for Pagliaresi’s late trecento lauda ‘Venite con amore’.