FP

Per allegrezza del parlar d’amore-a BaG (XYyX ABABBCcX)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Ciascun fedel cristian con riverenza BaG (XYyX ABABBCcX)

Lauda Poet: 

Vanni di Martino

Notes: 

note: see CattinSq, 249; WilsonSC, 73, Diederichs, 71. Music ed. in PMFC4, no. 11, and in Diederichs, 291-3. On the tentative identification of ‘Vanni’ as the free-lancing lauda singer Vanni di Martino, see WilsonSC, 76-7.

Music Sources: 
Cantasi Come Sources: 

Or è tal l’alma mia BaG (xyyX aBaBbccX)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

O vergine Maria, per pietà priego
BaG (xyyX aBaBbccX)

Lauda Poet: 

Neri Pagliaresi

Notes: 

note: WilsonSC, 75. Cc. in M130 = ‘Oretta, anima mia, per costei rinvenuta’. Music ed. PMFC4, no.17; lauda text ed. VaraniniRS, 30, 177f.

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Cantasi Come Sources: 

Per un verde boschetto BaMn (xX aBaBbX)

Language: 

it

Composer: 

Bartolino da Padova

Lauda: 

Seguita all’arma d’un gentil bracchetto 7 (AbCbAcA)

Notes: 

note: CattinSq, 251, where he lists the lauda as ‘Seguite per via d’un gentil bracchetto; WilsonSC, 75; Diederichs, 58-9. Music ed. in PMFC9, nos. 23a-b (versions a2 & a3). The first line of the lauda is closely modeled on the second line of the secular ballata (‘Seguito l’orma d’un gentil brachetto’), and formally lines 1-7 of the lauda match closely lines 2-8 of the cc. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 25; see CilibertiP, 23-34, and NàdasCR.

Music Sources: 
Cantasi Come Sources: 

Nel mezzo già del mar la navicella MadT:11 (abb acc dd)

Poet: 

Franco Sacchetti

Language: 

it

Composer: 

Niccolò da Perugia

Lauda: 

Nel mezzo a due ladron post’ una stella MadT:11 (abb acc dd)

Notes: 

note: CattinSq, 250; WilsonSC, 74. Ed. in PMFC8, 148-50. Text ed. AgenoFS, 69.

Music Sources: 
Cantasi Come Sources: 

Appress’un fiume chiaro MadT:7/11 (aBB cDD EE

Language: 

it

Composer: 

Giovanni da Firenze

Lauda: 

Appress’ il volto chiaro
MadT:7/11 (aBB cDD EE)

Notes: 

note: CattinSq, 248; WilsonSC, 73; CorsiM, 329 (where both texts are compared); Diederichs, 58. Music ed. in MFCI 1, 8-11.

Music Sources: 
Cantasi Come Sources: 

Ama, donna, chi t’ama in pura fede BaMz (XyX ABABByX)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Ami ciascun cristian con pura fede
BaMz (XyX ABABByX)

Notes: 

note: see CattinSq, 248; WilsonSC, 73; Diederichs, 64; CorsiM, 332. Music ed. PMFC4, no.18. According to D’AnconaPP, 476, title also found in Ch266, and he gives original title of cc. as ‘Ama chi t’ama e chi non t’ama lassa’. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

Music Sources: 
Cantasi Come Sources: 

Po’ che partir convienmi, donna BaG:11 (xyyx ababbccx)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Po’ che da morte nessun si ripara
BaG:11 (xyxy ababbccx)

Notes: 

note: CattinSq, 251; WilsonSC, 75; Diederichs, 66-7. Ed. in PMFC4, 118. See similar incipit, but different secular text ‘Poi che da te me convien partir’.

Music Sources: 
Cantasi Come Sources: 

Vita non è più miser’ e più ria BaMn:11 (xx ababbx)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Vita, che t’ama in croce morto
BaMn:11 (xx ababbx)

Notes: 

note: CattinSq, 251; WilsonSC, 76; Diederichs, 63. Music ed. PMFC4, no.22. The cc. poem appears in Giovanni Sercambi’s Novelliere (ca.1400); see CilibertiP, 13-15.

Music Sources: 
Cantasi Come Sources: 

Non al suo amante-c MadT:11 (aba bcb cc)

Poet: 

Petrarch

Language: 

it

Composer: 

Jacopo da Bologna

Lauda: 

Per verità portare al mondo
MadT:11 (aba bcb cc)

Music Sources: 
Cantasi Come Sources: 

Non al suo amante-b MadT:11 (aba bcb cc)

Poet: 

Petrarch

Language: 

it

Composer: 

Jacopo da Bologna

Lauda: 

Per sua benignitate
BaG4/10:7 (xyyx abcabccddx)

Notes: 

note: LuisiLG, i, 298-300 transmits text of ‘Per sua benignitade/in terra è apparito’ (and a variant on 305-6 that begins ‘Per sua humanitade’), however it is not a good match with the poetic form of Petrarch’s madrigal text, nor is R2871 absolutely clear about the link between these two texts. The lauda is an older text, found in (probably) pre-15thc. sources like BML, Ashburnham 423, fol. 170r, though it is sometimes attributed to Giustinian.

Music Sources: 
Cantasi Come Sources: 

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