Pit

note: music & text of cc. ed. PMFC8, 107-8. Variant incipit = ‘Ciascun faccia per se’, according to CattinSq, 250 where the cc.link cannot be verified in the sources (nor are the poetic forms compatible); Cattin cites R2224, 18v, but here the cc. for ‘O Jesù Cristo’ is ‘Partiti messere’, whereas ‘Ogni huom faccia’ is the cc. for ‘Ogni huom con pura fe’ on the same folio of this source. ‘O Jesù Cristo’ is transmitted in Ch266, but without a cc. WilsonSC, 74. In CattinSq, the music is ascribed to Paolo Tenorista & the text to Niccolò Soldanieri, whereas in PMFC8, 107 & 206, the music is attributed to Niccolò da Perugia and the text is considered to be anonyomous. The cc. poem appears in Giovanni Sercambi’s Novelliere (ca.1400); see CilibertiP, 13-15, where the cc. poem is attributed to Antonio Pucci.

note: WilsonSC, 75. Cc. in M130 = ‘Oretta, anima mia, per costei rinvenuta’. Music ed. PMFC4, no.17; lauda text ed. VaraniniRS, 30, 177f.

note: CattinSq, 251, where he lists the lauda as ‘Seguite per via d’un gentil bracchetto; WilsonSC, 75; Diederichs, 58-9. Music ed. in PMFC9, nos. 23a-b (versions a2 & a3). The first line of the lauda is closely modeled on the second line of the secular ballata (‘Seguito l’orma d’un gentil brachetto’), and formally lines 1-7 of the lauda match closely lines 2-8 of the cc. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 25; see CilibertiP, 23-34, and NàdasCR.

note: CattinSq, 250; WilsonSC, 74. Ed. in PMFC8, 148-50. Text ed. AgenoFS, 69.

note: see CattinSq, 248; WilsonSC, 73; Diederichs, 64; CorsiM, 332. Music ed. PMFC4, no.18. According to D’AnconaPP, 476, title also found in Ch266, and he gives original title of cc. as ‘Ama chi t’ama e chi non t’ama lassa’. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

note: See CattinSq, 251; WilsonSC, 73; Diederichs, 70. Ed. in PMFC8, 101-2.

note: CattinSq, 251; WilsonSC, 75; Diederichs, 66-7. Ed. in PMFC4, 118. See similar incipit, but different secular text ‘Poi che da te me convien partir’.

note: CattinSq, 251; WilsonSC, 76; Diederichs, 63. Music ed. PMFC4, no.22. The cc. poem appears in Giovanni Sercambi’s Novelliere (ca.1400); see CilibertiP, 13-15.

note: LuisiLG, i, 298-300 transmits text of ‘Per sua benignitade/in terra è apparito’ (and a variant on 305-6 that begins ‘Per sua humanitade’), however it is not a good match with the poetic form of Petrarch’s madrigal text, nor is R2871 absolutely clear about the link between these two texts. The lauda is an older text, found in (probably) pre-15thc. sources like BML, Ashburnham 423, fol. 170r, though it is sometimes attributed to Giustinian.