PR

note: CattinSq, 251, where he lists the lauda as ‘Seguite per via d’un gentil bracchetto; WilsonSC, 75; Diederichs, 58-9. Music ed. in PMFC9, nos. 23a-b (versions a2 & a3). The first line of the lauda is closely modeled on the second line of the secular ballata (‘Seguito l’orma d’un gentil brachetto’), and formally lines 1-7 of the lauda match closely lines 2-8 of the cc. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 25; see CilibertiP, 23-34, and NàdasCR.

note: see CattinSq, 248; WilsonSC, 73; Diederichs, 64; CorsiM, 332. Music ed. PMFC4, no.18. According to D’AnconaPP, 476, title also found in Ch266, and he gives original title of cc. as ‘Ama chi t’ama e chi non t’ama lassa’. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

note: CattinSq, 251; WilsonSC, 76; Diederichs, 63. Music ed. PMFC4, no.22. The cc. poem appears in Giovanni Sercambi’s Novelliere (ca.1400); see CilibertiP, 13-15.

note: LuisiLG, i, 298-300 transmits text of ‘Per sua benignitade/in terra è apparito’ (and a variant on 305-6 that begins ‘Per sua humanitade’), however it is not a good match with the poetic form of Petrarch’s madrigal text, nor is R2871 absolutely clear about the link between these two texts. The lauda is an older text, found in (probably) pre-15thc. sources like BML, Ashburnham 423, fol. 170r, though it is sometimes attributed to Giustinian.

note: CattinSq, 250; WilsonSC, 75; PMFC12, 188; CorsiM. Music ed. MFCI 4, 15-16. None of the cc. references in this secondary literature to Petrarch’s madrigal can be verified. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

note: CattinSq, 249; WilsonSC, 75; Diederichs, 63. Ed. in PMFC4, 16; NadasL, 108-10. Addendum: Landini’s text copied into a ‘codice Trevisano’; V. Cian, “Ballate e strombotti del sec. XV”, p. 40.

note: CattinSq, 251;WilsonSC ,75. Ed. in PMF, iv, no.16; Diederichs, 63, 284.

note: R2871: ‘questa va in su donna si te fallito’. See CattinSq, 249; WilsonSC, 74; Diederichs, 63. Music ed. in PMFC4, 1. Given the early date of R2871 (c. late 14thc), the cc. link to Landini’s ballata is likely. However, 15thc. sources regularly cite another cc.: ‘S’io t’ò fallito, donna, mi dispiace’, a different trecento poem (BaMn:11), ed. in CarducciCBSM, 149-150. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.