R2871

note: the first few words of the cc. incipit are difficult to read, but the legible portion (‘...son pargoletta bella e nova’) and the identity of the rhyme schemes leave no doubt about the match. This is the only known poem by Dante used as a singing model in the cc. repertory. Dante’s text is ed. in Opere di Dante, iii: Rime della maturità e dell’esilio, ed. M. Barbi and V. Pernicone, Florence, Le Monnier 1969, 472-7.

note: GallicoRM, 139, 191; JeppesenF, iii, 57. The cc. is a popular song incorporated into two polyphonic quodlibets in CortP & M164-7. The lauda text is found in 14thc. laudarios, like BML, Ashburnham 423, fol. 176; and is entered in R2929, which was copied by 1448.

note: CattinSq, 251, where he lists the lauda as ‘Seguite per via d’un gentil bracchetto; WilsonSC, 75; Diederichs, 58-9. Music ed. in PMFC9, nos. 23a-b (versions a2 & a3). The first line of the lauda is closely modeled on the second line of the secular ballata (‘Seguito l’orma d’un gentil brachetto’), and formally lines 1-7 of the lauda match closely lines 2-8 of the cc. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 25; see CilibertiP, 23-34, and NàdasCR.

note: CattinSq, 250; WilsonSC, 74. Ed. in PMFC8, 148-50. Text ed. AgenoFS, 69.

note: CattinSq, 248; WilsonSC, 73; CorsiM, 329 (where both texts are compared); Diederichs, 58. Music ed. in MFCI 1, 8-11.

note: see CattinSq, 248; WilsonSC, 73; Diederichs, 64; CorsiM, 332. Music ed. PMFC4, no.18. According to D’AnconaPP, 476, title also found in Ch266, and he gives original title of cc. as ‘Ama chi t’ama e chi non t’ama lassa’. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

note: See CattinSq, 251; WilsonSC, 73; Diederichs, 70. Ed. in PMFC8, 101-2.

note: CattinSq, 251; WilsonSC, 75; Diederichs, 66-7. Ed. in PMFC4, 118. See similar incipit, but different secular text ‘Poi che da te me convien partir’.

note: CattinSq, 251; WilsonSC, 76; Diederichs, 63. Music ed. PMFC4, no.22. The cc. poem appears in Giovanni Sercambi’s Novelliere (ca.1400); see CilibertiP, 13-15.