Man

note: CattinSq, 251, where he lists the lauda as ‘Seguite per via d’un gentil bracchetto; WilsonSC, 75; Diederichs, 58-9. Music ed. in PMFC9, nos. 23a-b (versions a2 & a3). The first line of the lauda is closely modeled on the second line of the secular ballata (‘Seguito l’orma d’un gentil brachetto’), and formally lines 1-7 of the lauda match closely lines 2-8 of the cc. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 25; see CilibertiP, 23-34, and NàdasCR.

note: CattinSq, 250; WilsonSC, 74; Diederichs, 63. Ed. in PMFC4, n. 19.

note: CattinSq, 251;WilsonSC ,75. Ed. in PMF, iv, no.16; Diederichs, 63, 284.

note: R2871: ‘questa va in su donna si te fallito’. See CattinSq, 249; WilsonSC, 74; Diederichs, 63. Music ed. in PMFC4, 1. Given the early date of R2871 (c. late 14thc), the cc. link to Landini’s ballata is likely. However, 15thc. sources regularly cite another cc.: ‘S’io t’ò fallito, donna, mi dispiace’, a different trecento poem (BaMn:11), ed. in CarducciCBSM, 149-150. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

note: music ed. PMFC10, pp. 80-81.

note: music of cc. is fragmentary in Man (only the underlaid cantus of the ripresa and first volta survives); ed. in PMFC 11, no. 83.

note: See Diederichs, 68-9, 285. Music ed. in PMFC11, 97-8, where anon. text of the cc. is ‘Non creder donna che la dolce fiamma’ (ie, an incipit closer to that of the lauda in Ch266).

note: Ch266 “Duyl angoxose raye dismisurea’. See FallowsCat, 137-8; StrohmR, 193-4; CarboniE, 445; PrizerG, 4, 54 (re. Bianca de’ Medici’s 1460 performance of ‘Duogl angoseus’ on the organ for Rodrigo Borgia); BrownM, 209; NádasL, 54-5; WilsonSC, 18f. Music ed. HanenE, no. 14 (EscB, w/revised Ct); RehmB, no. 50 (EscA, a version with a solus contratenor).

note: FallowsCat, 509; NádasL, 41-2, 139; CarboniE, 450-1; WilsonSC, 73; FallowsLG, 251-3; Diederichs, 67. Music ed. in PMFC24, no.29; HoppinAMM, 173; ClercC xii, no.8 (Pit); LuisiLG, ii, 256 (T from P4376). Text and music are edited and discussed in A. Kreutziger-Herr, “Rethinking ‘Con lagrime’: Johannes Ciconia, Leonardo Giustinian and the Musical Text’, in VendrixC, 215-32. 4 intabulations in Bux also ed. in PMFC24, 180ff. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR. In R1764, cc. text attr. to ‘Messer Franciescho signior di padova’.