Q15

Note: FallowsCat, 565-6; Mancuso, 125-7; RostirollaLC, 783-4, 847. Dufay setting ed. CMM1/vi(r), no. 5; DuffinD, 62; facs. in PlanchartW (Q15, Ox). Rz1563 setting a2 & Razzi melody from Pal173 ed. in LuisiLG, ii, 137-9; Mancuso, 270-76. Text ed. in LG, i, 269 (attr. to Giustinian in many sources). See ‘Vergene bella gratiosa et pura’ in Ven145, w/melodic similarities. Later settings of text by Tromboncino (1510), & Rz1563, w/some melodic similarities (JeppesenF, ii, 105). In Pal173, Razzi presents a cantus melody for the first two lines, and this differs completely from either Dufay’s chanson or Rz1563.

note: see ‘Vergine bella’ as a lauda with a modo proprio setting for bibliography.

note: FallowsCat, 370; CattinCI, 419-20 (with a comparison of edited texts). Music ed. G. Reaney, CMM11/i, 26. Ch266: ‘canzona franzese’. In most sources the incipit is ‘Se vo’ sape (savé) matre’.

note: Diederichs, 101f.; music ed. 306-9. Text of cc. ed. LuisiLG, i, 297; music ed. ii, 40 (Q15) and 41 (Pav361). Cc. text in Gall3.

note: FallowsCat, 509; NádasL, 41-2, 139; CarboniE, 450-1; WilsonSC, 73; FallowsLG, 251-3; Diederichs, 67. Music ed. in PMFC24, no.29; HoppinAMM, 173; ClercC xii, no.8 (Pit); LuisiLG, ii, 256 (T from P4376). Text and music are edited and discussed in A. Kreutziger-Herr, “Rethinking ‘Con lagrime’: Johannes Ciconia, Leonardo Giustinian and the Musical Text’, in VendrixC, 215-32. 4 intabulations in Bux also ed. in PMFC24, 180ff. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR. In R1764, cc. text attr. to ‘Messer Franciescho signior di padova’.