Pav361

note: CattinNF, 200; Diederichs, 246-51. Music ed. CattinG, no.19 (Grey), w/notes on xxii; CattinCon, 68-9 (Pav361); Diederichs, 430-2 (Pav361 & Grey), and LuisiLG, ii, 12-14 (Grey,Pav361 & PetL/i versions, which are unrelated). B207 version, also unrelated to the others, ed. in EynardLP, 84-5. Text ed. LuisiLG, i, 287-8, and found in Gall3 without cc. Text entered in R2929, which was copied by 1448, so it is likely to have been known in Florence with a modo proprio setting (implied by its entry in Gall3 without a cc. title), possibly one of those transmitted in the above non-Florentine sources.

note: for bibliography, see ‘J’ay pris amours’ as cc. for ‘Canti gioiosi’, the latter a lauda text with a long history in Florentine sources.

note: on ‘Jesù clement’ e pio’ see RostirollaB, 703; RostirollaLC, 831; facs. of Anim1577 (a3) in RostirollaTL, 32. Fabbroni’s lauda is transmitted in non-Florentine sources (including Animuccia) with music that differs from Rz1563.

note: lauda re. S. Stefano

note: Razzi transmits another lauda by him with similar incipit (‘Venga ogni cor ardente a lodar Maddalena peccatrice’), but different line lengths and its own musical setting a2 (see this title as a modo proprio).

note: laude re. S. Agnesa. Rz1563: ‘lauda d’una Vergine quando si appresenta il giorno del tuo martirio davanti a Christo..’

note: ‘Latin lauda’, planctus Mariae; processional music for deposition during Holy Week. See PerkinsMAR, 452-6; MaceyB, 53; CattinR, 39, n.59.; CattinNF, 192-3; PopeM, 646-9; Diederichs, 230-7; CattinCI, 432-3. Musical variant in Razzi: ‘Cum autem venissent’, where he indicates that ‘le parole insieme col canto, sono antichissime’. Music of related versions based on same melody ed. PerkinsMAR, 453-6 (Razzi facs., Quadris, PetL/ii); CattinPav, 14 (Pav361); PopeM, no.120 (MC); JeppesenL, 8-9 (PetL/ii, ‘Quum autem’), Diederichs, 412-22 (Panc27, Grey, MC, PetL/ii), Mancuso, 620-4 (Rz1563). Quadris version (ca. mid-15thc.) publ. in Petrucci Lamentationum Jeremiae prophete liber primus (1506), ed. Cattin in Johannes de Quadris, Opere (Bologna, 1972), 71. In Grey, cc. is explicit by addition of lauda incipit ‘Peccator, pensa al tuo signore’, a link that is in turn confirmed by all the Florentine cc. sources; see CattinNF, 192-3. For complete list of musical sources, see PopeM, 646-7, & CattinNF, 192-3. In LA424, lauda sent to ‘Pierino vinitiano’.

note: Diederichs, 101f.; music ed. 306-9. Text of cc. ed. LuisiLG, i, 297; music ed. ii, 40 (Q15) and 41 (Pav361). Cc. text in Gall3.