Wc

note: See CarboniE, 459-61; CattinNF, 200-1. Music ed. CattinG, no. 21 (Grey); LuisiLG, ii, 88-93 (all ). Text entered in R2929, which was copied by 1448; ed. LuisiLG, i, 255. See also ‘O Jesù dolce’ as cc. for numerous laude.

note: ‘Latin lauda’, planctus Mariae; processional music for deposition during Holy Week. See PerkinsMAR, 452-6; MaceyB, 53; CattinR, 39, n.59.; CattinNF, 192-3; PopeM, 646-9; Diederichs, 230-7; CattinCI, 432-3. Musical variant in Razzi: ‘Cum autem venissent’, where he indicates that ‘le parole insieme col canto, sono antichissime’. Music of related versions based on same melody ed. PerkinsMAR, 453-6 (Razzi facs., Quadris, PetL/ii); CattinPav, 14 (Pav361); PopeM, no.120 (MC); JeppesenL, 8-9 (PetL/ii, ‘Quum autem’), Diederichs, 412-22 (Panc27, Grey, MC, PetL/ii), Mancuso, 620-4 (Rz1563). Quadris version (ca. mid-15thc.) publ. in Petrucci Lamentationum Jeremiae prophete liber primus (1506), ed. Cattin in Johannes de Quadris, Opere (Bologna, 1972), 71. In Grey, cc. is explicit by addition of lauda incipit ‘Peccator, pensa al tuo signore’, a link that is in turn confirmed by all the Florentine cc. sources; see CattinNF, 192-3. For complete list of musical sources, see PopeM, 646-7, & CattinNF, 192-3. In LA424, lauda sent to ‘Pierino vinitiano’.

note: refrain of ‘Signor Jesù’ sung to ‘La Vampeggia’. See modo proprio for ‘Signor Jesù’ for bibliography.

note: CattinR, 34, where the lauda incipit is ‘Signor della salute mia’

note: refrain to be sung to ‘Rose, gigli e viole’, and stanzas of ‘O verb’ eterno’ sung to ‘O Jesù dolce’.