RC395

note: Music & text of Rz1563 ed. Mancuso, 549-52, though this is in fact derived from the 4-part setting of ‘Tambur, tambur’, with music in differing versions in M121, CortP, & BR337 (see as a cc. title). See BlackburnTCS, 134-8 (M121 version ed. 154--5; CortP ed. 156-7). ‘Tambur’ & ‘Oimè’ both function as a cc. for the lauda ‘E’ ll’ardera, l’abrucera’.

note: CattinR, 16; MaceyB, 113 & MaceyS, 228. Music ed. D’AcconeMFR, ii, no. 40; text ed. xxii-xxiii; Mancuso, 330-40 ( ‘Signore, soccorr’ aita’).

note: CattinCC, 212; RostirollaB, 730-1. Cf. musical settings of ‘Oimè, lasso, oimè, oimè’. RC395 also lists ‘Ogni giorno’ as cc. for ‘Oimè’! See ‘Ogni giorno’ as cc.for musical settings of this text.

note: CattinCC, 205; CattinR, 24; RostirollaB, 691-2. Text & music ed. Mancuso, 358-60 (Rz1563). See ‘Oimè lasso’ as cc. for ‘Cor maligno’, with music in Ferr84 & BL.Eg5041. Rz1563 music for ‘Cor maligno’ differs from that of ‘Oimè lasso’ in Ferr84.

note: rubric for lauda reads ‘composta da S. Ginevra Partini’, so differs from and probably postdates Belcari’s ‘Salve regina di misericordia’.

note: alternate cc. = ‘In nulla si vuol porre’