RC395

note: lauda re. Feast of Circumcision. See ‘Ben venga Maggio’ as cc. for a large group of lauda texts. Rz1563 transmits the text of this lauda, and the music underlaid with the text of ‘Ecco’l Messia’; ed. Mancuso, no. 9.

note: Carboni-ZiinoLM, 281, w/music ed. 327. ‘Chi pensassi’ in CS1545. Cf. ‘S’ i’ pensassi’ as cc. in many sources, cc. for ‘S’ i’ pensassi’ = ‘Rose, gigli’. 4-part version in Rz1563 (& Ferr84 melody) is contrafactum of Baccio’s Carnival song, ‘Donne, per electione’ (see as cc.). On ‘S’ i’ pensassi’ in later Roman sources, see RostirollaLC, 711-12, 844.

note: cf. ‘Anima ingrata’ as cc. for ‘Miseremini mei’, and ‘Miseremini’ as cc. for ‘O Jesù a’ tuo’ piedi’. Lack of cc. in Rs424, R2896 implies the modo proprio indication found in RC395. See CattinCC, 199-200, music (a3) ed. 220-222. Lauda also entered (w/out cc.) in Ferr84. The music found in 1531/4 is in fact for a secular text (‘Miseremini mei...I’ son proprio la sciagura’) that CattinCC,199 argues was the model for Castellani’s lauda, and form of which is more compatible with the lauda text than is the text of ‘Anima ingrata’.

note: Music à4 for ‘Cantar vorrei’ in Q21. Music of EscB (‘Ora gridar’) ed. LuisiLG,ii,276 w/lauda text.

note: see also modo proprio for ‘Jesu splendor’

note: for extensive bibliography on this song, see ‘Ora mai che fora son’ as secular cc. for ‘Ora mai sono in età’. Rubric in RC395 reads: ‘lauda da cantarsi per quelle, o da quelle, che vogliono esser monache, cantasi a modo proprio’.

note: ‘nel vestirsi monaca’

note: see CarboniE,464-5; CattinR, 32. Text ed. Wiese, 87.