PetL/i

note: cc. is attributed to Lorenzo Tornabuoni in Pal120 and related sources. Alternate cc. for this lauda is the Canzona di Bardoccio, possibly a different title for the same carnival song.

note: ‘Qualunque’ cc in Gall1 is ‘O canzonetta mia’. Lauda re. San Bernardino

note: lauda re. St. Bernardino.

note: See CattinNF, 202. See ‘I’ vedo ben’ as cc. for ‘Ave del cielo’ & ‘Salve regina di misericordia’ for possible musical settings associated with ‘Ave tempio’ (an Ave Maria acrostic). Settings of Belcari’s text ed. CattinG, no.26 & LuisiLG, ii, 152-3 (Grey, but w/cc text underlaid as well); JeppesenL, 136-7 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletti’in suon’e canto’ (the 1st tercet of which uses the same rhymes as ‘Ave tempio’), followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’), all in the form of CapT:11. Belcari’s ‘Ave Maria acrostic and Salve Regina pair are probably modeled on a very similar pairing by Giustinian; see LuisiLG, i, 356-7.

note: Giustinian text ed. Wiese, 385f. See Belcari’s lauda ‘Salve regina’, with musical settings in Grey, Rz1563, & PetL/i, for possible musical settings of ‘Ave del verbo/cielo’. Giustinian’s poem is briefly discussed in HaarE, 33.