CN75.1

note: ‘Qualunque’ cc in Gall1 is ‘O canzonetta mia’. Lauda re. San Bernardino

Note: lauda re. St. Nicholas of Bari. In Ch266, cc. text repeated on 77v w/rubric: ‘la seguente lada fecie antonio de migliorino ghuidotti intonolla di canto michelino di [lacuna] di forzieri ottimo cantatore: Or che e quel che dentro’. Variant incipit for lauda = ‘Avendo tutti il cor’. See also ‘La vampeggia’ as a cc. for 6 laude; this is probably the same title since the laude for both titles share the same form (BaMz) and closely-related rhyme schemes.

note: see FallowsCat, 189-90; BrownM, 232; CattinCI, 429-31 (with comparison of both texts). Music ed. in CMM37 (Rei; major prolation version); conflated ed. in FallowsE, 64. EscA & Ox resemble the Rei version, but w/perfect time, doubled note values, and a more elaborate discantus. Lauda text in M690 transmitted in 3 stanzas, the middle of which is three lines long (aba), the outer five (ababa).

note: 2nd line of cc. reads ‘...cavalcar per lo Bresciano’ [‘brescian’, M690]; ‘Chi vede’l carmignuola cavalcare’ (LA480). D’AnconaPP, 479; see also p. 56, where D’Ancona gives the first two lines as: ‘Che vedesse il Conte Carmignola/Cavalcar per lo bresciano’. D’AnconaPP, 56 suggests that the cc. circulated in Florence around 1426, when Florentines were at war in Lombardy.

note: ‘Chi serve’ performed in context of Belcari’s Rappresentazione di Abrame e Isacco (Florence, 1449), near the end of the play (lines 489-510), following the rubric: ‘...tutti insieme fanno un ballo cantando questa lauda: Chi serve a Dio...’ (3 stanzas, as in Gall1); see OsthoffT, i, 30-3; BecheriniSR, 199. Music ed. Osthoff, ii, 33; LuisiLG, ii, 186 w/lauda text ‘O gloriosa verzene Maria’. Text of ‘Amar non vo’ te’ entered in R2929, which was copied by 1448; ed. LuisiLG, i, 298.

note: alternate cc. for ‘Con ogni reverentia’ = ‘Piangete con Maria’

note: alternate cc. for ‘Mosso da santa pazia’ = ‘Verbum caro factum est’ (Ch266)

note: Cantus melody for ‘Facciam’ (Ferr84), ed. in Carboni-ZiinoLM, 318