R2896

note: ‘Qualunque’ cc in Gall1 is ‘O canzonetta mia’. Lauda re. San Bernardino

note: RostirollaB, 736; PrizerG, 30-32; CattinCC, 192, where he speculates that ‘Io son più perfida ingrata’ (Gall4, no. 341, w/out cc.) might be sung to the same cc. since it resembles ‘Pecorelle’ in rhyme & meter. Music, w/both lauda and cc. texts, ed. CattinCC, 219-20. GhisiCC, 98 lists this pair among his carnival songs paired with laude, and calls the cc. the ‘canto della malmaritata’.

note: FallowsCat, 62-4, under original Eng. title, ‘So ys emprentid in my remembrance’; CarboniE, 454. Music ed. HanenE, no.27 (EscB); PopeM, 146 (MC); CMM19, no.3 and PerkinsM, ii, no.45 (Mel). Eng. title cited by Aaron and Ramos de Pareja, and T used in 1 motet & 2 mass cycles. The poetic form of the lauda appears to be quatrains with an interpolated partial refrain line (‘O Maria, o Maria’).

note: a fragment of ‘Gloria, honore’ recurs in R2896 w/incipit ‘Laude, honore e diletto...’; complete version in R2896 shows additions & corrections. A lauda in Gall4 (p. 284) with incipit ‘I’ ti vorrei trovare, o Signor mio/sempre t’andró cercando’ is a BaMz. Cc. text entered in R2929, which was copied by 1448.

note: lauda re. St. Anne

note: lauda re. nativity of BVM

note: the lauda is a different poem from d’Albizo’s widely diffused ‘O regina in ciel Maria/tutti ti vogliam pregare’ (BaG:8), the latter of which has a modo proprio, and c c. = ‘Signor nostro da Pavia’.