PM480

note: d’Astore’s text & music (a4 in Rz1563) ed. Mancuso, 384-94.

note: see lauda ‘Signor Jesù quando sarò io mai’ (cc. ‘La vampeggia’), with settings of the lauda text in Grey, Ferr84, & Rz1563 that may constitute original music of ‘La vampeggia’. Cc. title may refer to ‘Do che è quel che dentro a me vampeggia’, a cc. for 3 different lauda which share the same form and rhyme scheme with the laude for which ‘La vampeggia’ is the designated cc.

note: Cc. text transmitted in BNF, Palatino 213, fol. 120v, where it appears to be a BaMn missing its refrain. It is considered to be among the authentic secular works of Giustinian; BillanovichP, 242; ed. Wiese, 249-52.

note: CattinR,29; CattinNF,202. Settings of Belcari’s text ed. CattinG,no.26 & LuisiLG, ii, 226-7 (Grey, but w/cc text underlaid as well); JeppesenL, p.136 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletii’in suon’e canto, followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’).

note: LCS161 (early 16thc.) reverses: ‘Jesù sommo’ is cc. for ‘Vergine tu mi fai’. The sequence of line lengths is idential in both laude: 7/7/7/7/4/4/10.

note: ‘O morte’ also a cc. for ‘In ciel con gran diletto’, which could also be sung to ‘Virgo Maria beata’. ‘Morte dispiatata’ in PM480 & Rs424.

note: alternate cc. for ‘Qual padre’ = ‘stanze d’Abram’ (all sources)

note: Cantus melody for ‘Facciam’ (Ferr84), ed. in Carboni-ZiinoLM, 318