Pal169

note: lauda incipit = ‘Salve del ciel regina Maria’. Brief setting a4 in RC395, fol.3v w/text ‘Salve vergin’ Maria diana stella, piu ch’altra donna bella et gloriosa’.

note: cc. undoubtedly related to ‘Si ch’ i’ la vo seguire Magdalena’, with music a3 in Rz1563 (and a cc. for many other lauda), and ‘Si ch’ i’ ti vo laudare, Maria Vergine’ in RC395 (to which it may be identical); all share the same form and very similar rhyme scheme. In his autograph ms., Pal173, vol. 106r-108r, Razzi transmits the text and tenor melody for ‘Si ch’io lo vo’ lodar Santo Feliciano’.

note: cc. for ‘Tu mi di’ = ‘Rendo l’arme al fiero amore’ (R196), w/music in Triv55 & P676. CattinCC, 200, 205; see ‘Ogni giorno’ as cc.

note: Pal169 cc. indication reads only ‘cantasi si come’, but probably refers to preceding cc., which is ‘Tu te lamenti’ (same for ‘Qual lingua’). Lauda text also transmitted in Rz1563, where music for its cc. (Razzi’s ‘Dolce, felice, lieta notte’) is provided.

note: lauda re. St. Catherine martyr

note: lauda incipit refers to Belcari’s ‘Dammi il tuo amor Jesù benigno’, with musical setting in PetL/i (ed. LuisiLG,ii, 325-7) unrelated to Rz1563 setting of ‘Si ch’i la vo seguire Magdalena’. The cantus of Razzi’s version is borrowed, intact, from the 2nd superius of Francesco Layolle’s 5-part ‘Si ch’io la vo seguire nessun’altra offesa’; ed. D’AcconeMFR, iii, no. 19. Cc. ed. in Mancuso, no. 75 (Rz1563).

note: Fenlon/HaarIM, 158 (concordant sources); JeppesenF, ii, 114, 131, 136. Music ed. D’AcconeMFR, ii,16-17. Lauda re. nativity.

note: lauda ‘per vestire fanciulle’