Bas2441

note: CattinNR, 279; Lincoln, 478 (incipits); RubsamenLS, 26-7. In PetF/i, composer indicated as ‘Micha’ (=Michele Pesenti, or Michael Vicentino?). Music ed. CesariLF, 37; text ed. 17 (appendix), and this in fact is the source of the cantus part applied in Rz1563 to Razzi’s lauda. For musical settings of Razzi’s lauda, see ‘Dolce, felice’ as a modo proprio.

note: BridgmanM, 200-1; CattinCI, 434 (‘una frottola musicata da Josquin’); JeppesenF/i, 80-81 (a list of all sources). Music ed. CesariLF, 38; text ed. 19*.

note: lauda incipit = ‘Salve del ciel regina Maria’. Brief setting a4 in RC395, fol.3v w/text ‘Salve vergin’ Maria diana stella, piu ch’altra donna bella et gloriosa’.

note: Pal169 cc. indication reads only ‘cantasi si come’, but probably refers to preceding cc., which is ‘Tu te lamenti’ (same for ‘Qual lingua’). Lauda text also transmitted in Rz1563, where music for its cc. (Razzi’s ‘Dolce, felice, lieta notte’) is provided.

note: CattinNR, 279; Lincoln, 478 (incipits); RubsamenLS, 26-7. In PetF/i, composer indicated as ‘Micha’ (=Michele Pesenti, or Michael Vicentino?). Music ed. CesariLF, 37; text ed. 17 (appendix), and this in fact is the source of the cantus part applied in Rz1563 to Razzi’s lauda. For musical settings of Razzi’s lauda, see ‘Dolce, felice’ as a modo proprio.

note: in PetF/i, composer indicated as “Micha” (= Michele Pisenti, or Michael Vicentino?). Incipit in M365= Tuti lamenti.

note: Cc. added to ms. in later hand, dated 1569, though composition clearly predates this. Lincoln, 744 (frottola); 4-part setting in PetF/iii ed. CesariLF, 127 (text on p. 46 of appendix).