Rs424

note: MaceyB, 125-9. The cc. for ‘Ecco il Messia’ is ‘Ben venga Maggio’ (see above). Ed. w/Lucrezia’s text in MaceyS, 62.

note: CattinCC, 198. The forms of cc. and lauda are not particularly compatible.

note: Rs424 designates cc. as ‘il madrigale’.

note: CattinR,29; CattinNF,202. Settings of Belcari’s text ed. CattinG,no.26 & LuisiLG, ii, 226-7 (Grey, but w/cc text underlaid as well); JeppesenL, p.136 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletii’in suon’e canto, followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’).

note: Rs424 = ‘Anzola tu mi fai’. Text of cc. ed. in D’AnconaPP, 93-4. Alternate version in some sources is ‘Angela che mi fai’. RA2435, pp. 112-13, transmits a version of what is probably the original secular text to which the cc. incipit refers: ‘Angiola tu mi fai/cantando, a te, venire/et bellezze ch’ai/non te le posso dire’.

Note: lauda re. St. Nicholas of Bari. In Ch266, cc. text repeated on 77v w/rubric: ‘la seguente lada fecie antonio de migliorino ghuidotti intonolla di canto michelino di [lacuna] di forzieri ottimo cantatore: Or che e quel che dentro’. Variant incipit for lauda = ‘Avendo tutti il cor’. See also ‘La vampeggia’ as a cc. for 6 laude; this is probably the same title since the laude for both titles share the same form (BaMz) and closely-related rhyme schemes.

note: CattinCC, 194-5. Cc in M310 is ‘Sommo diletto e vero amore’, probably a garbled version of Belcari’s title

note: ‘Et ha modo proprio molto bello facto da Ser Firenze prete’ (Rs424, with similar rubrics in Gall2, R196). Music & text ed. Mancuso, 721-30. LA424: lauda ‘mandata a Fra Domenico Ricci in Santa Maria Novella’.

note: see MaceyS, 64-5 for a3 setting from Rz1563 w/Savonarola’s text; text ed. & translated on xliv-xlv. See also MaceyB, 104-7. See ‘Che fai’ as a cc.