Rs424

note: cf. ‘Ben lo sa Dio’, also a cc. for ‘Chi si veste’ (M690, Rs424), with music in Cord, Grey, Panc27, Q18. ‘Si fortemente’ in Gall3 without cc. The cc. text dates from the 14thc or earlier, and is variously attributed to Jacopone da Todi and Ugo Panziera; entered in R2929, which was copied by 1448, and BML, Ashburnham 423, which probably predates the 15thc.

note: cf. ‘Non à lo cor’ as cc. for ‘Alma che si gentile/ti fe’

note: lauda re. Giovanni Colombini. Cc. text attr. in some sources to Giustinian, but it is older, and found in pre-1450 sources like BML, Ashburnham 423, fol. 166r, and R2929 (copied by 1448); ed. LuisiLG, i, 316-17 (‘Nela beleza del sumo spiandore’).

note: ‘Se vo scaviés matre’ and Dufay’s ‘Donna gentil’ are alternate cc’s for ‘Se vuo’ gustare’.

note: according to BecheriniSR, 228, ‘Madre vergine, isposa’ was one of two laude (the other being ‘Adnunziata pel divin consiglio’) identified in a rubric at the conclusion of the Rappresentazione di Salomone that were ‘fatte per la cappella della Nunziata de’ Servi’.

note: On the musical settings of the cc., see ‘Madre che festi-a’. Independent musical settings of Belcari’s text are transmitted in Rz1563 (a2) and PetL/i (a4), ed. LuisiLG, ii, 180-4 (Rz1563 & PetL/i); JeppesenL, no.57 (PetL/i); MaceyS, 87-9 (Rz1563; refrain & 1st stanza of text ed. & translated lv); and Mancuso, no. 20 (Rz1563).

note: rubric for ‘Beata sono’ same in all but Rs424: ‘beata Villan[a] di Firenze che è sepulta in Sancta Maria Novella’.

note: text ed. Wiese, 21.