CorsD3

note: lauda re. St. Catherine of Siena; alternate cc. ‘O lasso a me tapino’ (in Pagliaresi ms.)

note: FallowsCat, 357; WilsonSC, 88; CattinCI, 422-3. Music ed. CMM1/vi, no.85 (R2356); PlamenacU, 83 (Pix; facs. of Pix & BerK). Alternate text of cc. = ‘Benedictus qui venit’. Song for accession of Leonello d’Este as Marquis of Ferrara, c. 1441? (FallowsD, 62-3). Alternate cc. = ‘Pour preson’.

note: FallowsCat, 332; PopeM, 644-6; WilsonSC, 88; CattinR, no.106. Music ed. CMM88, 30 & NanenE, no.31 (EscB), PopeM, 474 (MC), PerkinsM, ii, no.53 (Mel). Form and rhyme scheme of lauda closely modeled on the French rondeau; see CattinCI, 428-9, who suggests (along with PopeM, 646) that the lauda was conceived as a rondeau quatrain. Incipit of Fr. text in lauda sources frequently appears as ‘Plus que...’

note: see CattinR,no.95. Alternate cc. = ‘Non son più innamorato’, ‘La pueril bellezza’ (all 3 in M690 & R196). Lauda differs from ‘O peccatore ingrato contempla’ (R2896) & ‘O peccatore ingrato or perché’ (Ch266)

note: see CattinR, no. 95. Alternate cc. = ‘Non son più innamorato’, ‘Più bel viso che’l sole’ (all 3 in M690 & R196). Lauda differs from ‘O peccatore ingrato contempla’ (R2896) & ‘O peccatore ingrato or perché’ (Ch266).

note: in Gall2 w/out cc.

note: ‘per fratello defuncto’