CorsD3

note: CattinR,33. Full cc. incipit in M690 reads: ‘Non so perché si sia/signor a questa volta’.

note: see CattinR, no.95. Alternate cc. = ‘La pueril bellezza’, ‘Più bel viso che’l sole’ (all 3 in M690 & R196). Lauda differs from ‘O peccatore ingrato contempla’ (R2896), & three laude with a similar incipit in Ch266.

note: see also ReidemeisterC, 95. CattinR, 32; CattinCI, 419.

note: GallicoRM, 80, 202; PirrottaMT, 99-101; D’AnconaPP, 485-6. ‘È levomi una bella matina’ survives as a four-part frottola setting in Ve; ed. LuisiAp, NosowB, and excerpt ed. in PirrottaMT, 100-01. This probably is not the Florentine cc. musical source. Cc. incipit may be related to Catalan song ‘M’y levay par ung matin’ (verse, with refrain ‘Dindiridin’; see this title as a cc.). See complex of loosely related melodies in JeppesenF, iii, 27-31, & discussion in BrownM, 261 & LuisiAp, lxxv-lxxix. For two later settings of ‘M’y levay par ung matin’ by Guyard & Janequin, see BrownTC, 157-63. Lacking attribution to Belcari in Gall3.

note: see ‘Cristo ver’ as cc. in later sources. On this cc. link, see CummingsP, 143-7 (both texts ed. 145, music of ‘Cristo ver’ on 146-7). The text and music of ‘Laudate’ are called for in Belcari’s sacra rappresentazione, the Festa di San Felice. Music w/Belcari’s text transmitted in Rz1563, and ed. Mancuso, 416-20.

note: sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62,& related version in Rz1563 w/text ‘Se tu donassi il core’, and a slightly varied C & T, different CT). See FallowsCat, 560.

note: RostirollaB, 749-50 (re. ‘Se tu donassi’). Sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62,& related version in Rz1563 with text ‘Se tu donassi il core’, with slightly varied C & T, and a different CT). See FallowsCat, 560. Rz1563 text & music ed. Mancuso, 739-42, and appears to differ from the music in Anim1570 (see incipit in RostirollaB, 750).

note: sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62, & related version in Rz1563 w/text ‘Se tu donassi il core’, and a slightly varied C & T, different CT ). See FallowsCat, 560. Text of cc. transmitted in Ch266, R2929 (which was copied by 1448), and in 14thc. sources like BML, Ashburnham 423, fol. 69v., where it is attributed to Jacopone.

note: see FallowsCat, 189-90; BrownM, 232; CattinCI, 429-31 (with comparison of both texts). Music ed. in CMM37 (Rei; major prolation version); conflated ed. in FallowsE, 64. EscA & Ox resemble the Rei version, but w/perfect time, doubled note values, and a more elaborate discantus. Lauda text in M690 transmitted in 3 stanzas, the middle of which is three lines long (aba), the outer five (ababa).