Ve

note: See OsthoffT, i, 44-9, passim; GallicoRM, 114, 137; Carboni-ZiinoLM, 279; CattinNR, 255, 268. Text attr. to Poliziano in some soureces. Incipit in Florentine sources is ‘Vaghe le montanine’. Text ed. AgenoFS, 159-60. Printed also in 1526/5 as ‘O vage montanine’; this version ed. OsthoffT, ii, 38 (partial), 39 (w/lauda text ‘O vaghe di Jesù’, performed as part of the Rappresentazione di Santa Margherita), & in C. Morin, La frottola e l’armonia verticale nel Quattrocento, «Quadrivium», XV/1 (1974), pp. 158-9 . Ve melody ed. JeppesenF, iii, 103.

note: the poetic forms do not appear to be compatible.

note: cc. in Gall4 reads: ‘O vaghe montanine, pasturelle’

note: according to BecheriniSR, 207, this lauda was sung in the Rappresentazione di Santa Margherita.

note: GallicoRM, 80, 202; PirrottaMT, 99-101; D’AnconaPP, 485-6. ‘È levomi una bella matina’ survives as a four-part frottola setting in Ve; ed. LuisiAp, NosowB, and excerpt ed. in PirrottaMT, 100-01. This probably is not the Florentine cc. musical source. Cc. incipit may be related to Catalan song ‘M’y levay par ung matin’ (verse, with refrain ‘Dindiridin’; see this title as a cc.). See complex of loosely related melodies in JeppesenF, iii, 27-31, & discussion in BrownM, 261 & LuisiAp, lxxv-lxxix. For two later settings of ‘M’y levay par ung matin’ by Guyard & Janequin, see BrownTC, 157-63. Lacking attribution to Belcari in Gall3.