Bas2440

note: there are three settings (all 4-part) by Pisano, ed. D’AcconeMFR, i, nos. 15 (M164-7, PetG), 16 (M164-7,Bas2440, Q21, PetG), and 29 (Bas2440); text (a dialogue in ballata form) ed. xvi. There are also anonymous settings in Paris, Bibliothèque Nationale, Res. Mus. Vmd 32, and for 3 parts in Bas2440. See Fenlon/HaarIM, 139, 158, 175, 185.

note: Fenlon/HaarIM, 159 (concordant sources of Pisano’s setting). Petrarch’s inicipt is ‘Che debb’io far, che mi consigli, Amore?’. Music ed. in D’AcconeMFR, i, no.17 (M164-7). For other settings of poems with identical incipits (including one by Tromboncino in PetF/vii), see Lincoln, 839; and Fenlon/Haar, 142 (anon.), 176 (Tromboncino), and 189 (anon.).

note: See OsthoffT, i, 44-9, passim; GallicoRM, 114, 137; Carboni-ZiinoLM, 279; CattinNR, 255, 268. Text attr. to Poliziano in some soureces. Incipit in Florentine sources is ‘Vaghe le montanine’. Text ed. AgenoFS, 159-60. Printed also in 1526/5 as ‘O vage montanine’; this version ed. OsthoffT, ii, 38 (partial), 39 (w/lauda text ‘O vaghe di Jesù’, performed as part of the Rappresentazione di Santa Margherita), & in C. Morin, La frottola e l’armonia verticale nel Quattrocento, «Quadrivium», XV/1 (1974), pp. 158-9 . Ve melody ed. JeppesenF, iii, 103.

note: the poetic forms do not appear to be compatible.

note: cc. in Gall4 reads: ‘O vaghe montanine, pasturelle’

note: according to BecheriniSR, 207, this lauda was sung in the Rappresentazione di Santa Margherita.